The Cremona Baptistery is annexed to the city's Cathedral. Built in 1167, it is characterized by an octagonal plan, a reference to the cult of St. Ambrose of Milan, symbolizing the Eight Day of Resurrection and, thenceforth, the Baptism. The edifice mixes Romanesque and Lombard-Gothic styles, the latter evident in the preference for bare brickwork walls. To the 16th century restorations belong the marble cover of some walls, the pavement and the baptismal font (1531) and the narthex (1588) of the entrance, in Romanesque style, work by Angelo Nani.
The interior has a 14th-century Crucifix, over the St. John altar, and two wooden statues portraying 'St. Philip Neri' and 'St. John the Baptist' by Giovanni Bertesi. Over the ceiling is a 12th-century statue of the Archangel Gabriel.
The Roman Theatre of Mérida is a construction promoted by the consul Vipsanius Agrippa in the Roman city of Emerita Augusta, capital of Lusitania (current Mérida). It was constructed in the years 16 to 15 BCE. One of the most famous and visited landmarks in Spain, the Roman Theatre of Mérida is regarded as a Spanish cultural icon and was chosen as one of the 12 Treasures of Spain.
The theatre has undergone several renovations, notably at the end of the 1st century or early 2nd century CE (possibly during the reign of Emperor Trajan), when the current facade of the scaenae frons was erected, and another in the time of Constantine I (between 330 and 340), which introduced new decorative-architectural elements and a walkway around the monument. Following the theatre"s abandonment in Late Antiquity, it was slowly covered with earth, with only the upper tiers of seats (summa cavea) remaining visible.