The history of the Church of Our Lady of the Assumption is closely linked to the Benedictine monastery of St. Mary, which, according to oral tradition, was built when a Byzantine icon of the Virgin was brought to Positano and venerated in our church thereafter.
The abbey allegedly dates back to the second half of the 10h century. It was mentioned for the first time in a manuscript of the late 11th century.
The years of commendatory abbots was mostly negative for our church. Its architectural traces were almost totally lost, while the church started to fall into decay, in spite of continuous reproaches by Amalfi archbishops and a thorough rebuilding at the beginning of the 17th century. The last commendatory abbot, Liborio Manna from Naples, was deprived of his power by the local clergy, which, in 1777, started restoring the church. The works lasted about five years.
The interior has a nave and two aisles, with five arches, corresponding, along the aisles, to five chapels on each side. When approaching the high altar from the entry, we may admire the chapels of St. Blaise, of the Immaculate Conception, of St. Anthony and St. Anne on the right. The altar of the Circumcision is on the right end, with a valuable painting by Fabrizio Santafede (1599). The chapel of St. Steven, on the right of the high altar, houses the wooden statue of Our Lady with Infant Christ. Above the high altar a small temple opens up with a recently restored Byzantine icon. On the apse sides, the walnut chorus features two niches, lodging Our Lady of Sorrows on the right and a valuable Christ at the column by Michele Trilocco (1798) on the left.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.