Castello Barbarossa is an archaeological ruin and ornithological station on the island of Capri. It derives its name from the pirate and Ottoman admiral, Hayreddin, nicknamed Barbarossa ('Redbeard'), who stormed it in 1535 and destroyed it in 1544. The construction date is uncertain but it perhaps dates back to the late ninth century. From 1898, the structure, now in ruins, was owned by the Swedish psychiatrist Axel Munthewho donated it to his foundation. The surroundings, interesting for their botanical features, are home to the island's ornithological station.
The plan of the castle is quadrangular with a semicircular wall. The ruins of the highest part, as well as forming the core of the building, belong to what was once the residential area of the castle. Indeed, there is a chapel with a vaulted apse, a belfry and a cistern that was used as a warehouse Another area, offset from the chapel, retains many features, including a vaulted roof, a small partly walled embrasure, and an arched opening. Finally, there is a room with an iron-beamed roof. Built of local stone, the fort has vaulted roofs and tiled floors. The most significant architectural features are its two towers, indicating the military function of the castle. One of them, square-shaped, was built in the Swabian period, the other, however, is circular and was built in the Angevin period.
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The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.