Cumae was an ancient city of Magna Graecia on the coast of the Tyrrhenian Sea. Founded by settlers from Euboea in the 8th century BC, Cumae was the first Greek colony on the mainland of Italy and the seat of the Cumaean Sibyl. It spread its influence throughout the area over the 7th and 6th centuries BC, gaining sway over Puteoli and Misenum and, thereafter, founding Neapolis (Naples) in 470 BC.
The Greek period at Cumae came to an end in 421 BC, when the Oscans broke down the walls and took the city, ravaging the countryside. Some survivors fled to Neapolis. Cumae came under Roman rule with Capua and in 338 was granted partial citizenship, a civitas sine suffragio. In the Second Punic War, in spite of temptations to revolt from Roman authority, Cumae withstood Hannibal's siege.
The early presence of Christianity in Cumae is shown by the 2nd-century work The Shepherd of Hermas, in which the author tells of a vision of a woman, identified with the church, who entrusts him with a text to read to the presbyters of the community in Cuma. At the end of the 4th century, the temple of Zeus at Cumae was transformed into a Christian basilica.
Under Roman rule, 'quiet Cumae' slumbered until the disasters of the Gothic Wars (535–554), when it was repeatedly attacked, as the only fortified city in Campania aside from Neapolis: Belisarius took it in 536, Totila held it, and when Narses gained possession of Cumae, he found he had won the whole treasury of the Goths. In 1207, forces from Naples, acting for the boy-King of Sicily, destroyed the city and its walls, as the stronghold of a nest of bandits.
The seaward side of the large rise on which Cumae was built was used as a bunker and gun emplacement by the Germans during World War II.References:
Augustusburg Palace represents one of the first examples of Rococo creations in Germany. For the Cologne elector and archbishop Clemens August of the House of Wittelsbach it was the favourite residence. In 1725 the Westphalian architect Johann Conrad Schlaun was commissioned by Clemens August to begin the construction of the palace on the ruins of a medieval moated castle.
In 1728, the Bavarian court architect François de Cuvilliés took over and made the palace into one of the most glorious residences of its time. Until its completion in 1768, numerous outstanding artists of European renown contributed to its beauty. A prime example of the calibre of artists employed here is Balthasar Neumann, who created the design for the magnificent staircase, an enchanting creation full of dynamism and elegance. The magical interplay of architecture, sculpture, painting and garden design made the Brühl Palaces a masterpiece of German Rococo.
UNESCO honoured history and present of the Rococo Palaces by inscribing Augustusburg Palace – together with Falkenlust Palace and their extensive gardens – on the World Heritage List in 1984. From 1949 onwards, Augustusburg Palace was used for representative purposes by the German Federal President and the Federal Government for many decades.
In 1728, Dominique Girard designed the palace gardens according to French models. Owing to constant renovation and care, it is today one of the most authentic examples of 18th century garden design in Europe. Next to the Baroque gardens, Peter Joseph Lenné redesigned the forested areas based on English landscaping models. Today it is a wonderful place to have a walk.