The Flavian Amphitheater is the third largest Roman amphitheater in Italy. Only the Roman Colosseum and the Capuan Amphitheaters are larger. It was likely built by the same architects who previously constructed the Roman Colosseum.
It was begun under the reign of the emperor Vespasian and probably finished under the reign of his son Titus. The arena can hold up to 50,000 spectators. The interior is mostly intact and one can still see parts of gears which were used to lift cages up to the arena floor.
In 305, the arena was the setting for the persecutions of the patron of Pozzuoli, Saint Proculus, and the patron saint of Naples, Saint Januarius. After surviving being thrown to the wild beasts in the arena, the two were beheadedat the nearby Solfatara.
The elliptical structure measures 147 x 117 meters, with the arena floor measuring 72.22 x 42.33 meters.
The Flavian Amphitheater is the second of two Roman amphitheaters built in Pozzuoli. The smaller and older amphitheater (Anfiteatro minore) has been almost totally destroyed by the construction of the Rome to Naples railway line. Only a dozen arches of this earlier work still exist.
The site of the structure was chosen at the nearby crossing of roads from Naples, Capua and Cumae. It was abandoned when it was partially buried by eruptions from the Solfatara volcano. During the Middle Ages, the marble used on the exterior was stripped, but the interior was left alone and is perfectly preserved. Excavations of the site were performed 1839 to 1845, 1880 to 1882, and finally in 1947.
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The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.