The church of Olshammar is named after Saint Bridget of Sweden (Birgitta), whose husband, Ulf Gudmarsson, owned Olshammar in the 1320s. Olshammar was then a major estate and brickworks. According to tradition, Birgitta built a chapel where today the church is situated. The church was built in 1620 by Eric Hand, a grandchild of king Erik XIV.
The glass paintings in the form of coat of arms and manufactured in Riga, depicts Eric Hand and his brother-in-arms during the Thirty Years' War. These paintings are very well kept.
The church was restored in 1785 by a German mill owner, Carl von Wahrendorff. The church then got its present look with alter and pulpit built into one unit. This is very unusual in Swedish churches. Wahrendorff furnished the church with several fine ornaments, three grisaille paintings by the Dutch painter Jacob de Wit, a silver chandelier, silver for the Holy Communion etc. Carl von Wahrendorff was a prominent mill owner and did a lot of good for the community, some of which is still visible.
In the beginning of the 19th century Carl Rüttersköld became owner of Olshammar. He was Verner von Heidenstam's grandfather. The church belonged to the estate and when Verner von Heidenstam during the summers stayed at the estate, he used the church as his playground. He made up his own fairyland "Lajsputta" and carved "the centre of the earth" into a brick in front of the alter rails.
The church was built as a mill church and was privately owned until 1982. Today it belongs to the parish of Hammar. Regular church services are held once per month and at main Holidays.References:
Glimmingehus is the best preserved medieval stronghold in Scandinavia. It was built 1499-1506, during an era when Scania formed a vital part of Denmark, and contains many defensive arrangements of the era, such as parapets, false doors and dead-end corridors, 'murder-holes' for pouring boiling pitch over the attackers, moats, drawbridges and various other forms of death traps to surprise trespassers and protect the nobles against peasant uprisings. The lower part of the castle's stone walls are 2.4 meters (94 inches) thick and the upper part 1.8 meters (71 inches).
Construction was started in 1499 by the Danish knight Jens Holgersen Ulfstand and stone-cutter-mason and architect Adam van Düren, a North German master who also worked on Lund Cathedral. Construction was completed in 1506.
Ulfstand was a councillor, nobleman and admiral serving under John I of Denmark and many objects have been uncovered during archeological excavations that demonstrate the extravagant lifestyle of the knight's family at Glimmingehus up until Ulfstand's death in 1523. Some of the most expensive objects for sale in Europe during this period, such as Venetian glass, painted glass from the Rhine district and Spanish ceramics have been found here. Evidence of the family's wealth can also be seen inside the stone fortress, where everyday comforts for the knight's family included hot air channels in the walls and bench seats in the window recesses. Although considered comfortable for its period, it has also been argued that Glimmingehus was an expression of "Knighthood nostalgia" and not considered opulent or progressive enough even to the knight's contemporaries and especially not to later generations of the Scanian nobility. Glimmingehus is thought to have served as a residential castle for only a few generations before being transformed into a storage facility for grain.
An order from Charles XI to the administrators of the Swedish dominion of Scania in 1676 to demolish the castle, in order to ensure that it would not fall into the hands of the Danish king during the Scanian War, could not be executed. A first attempt, in which 20 Scanian farmers were ordered to assist, proved unsuccessful. An additional force of 130 men were sent to Glimmingehus to execute the order in a second attempt. However, before they could carry out the order, a Danish-Dutch naval division arrived in Ystad, and the Swedes had to abandon the demolition attempts. Throughout the 18th century the castle was used as deposit for agricultural produce and in 1924 it was donated to the Swedish state. Today it is administered by the Swedish National Heritage Board.
On site there is a museum, medieval kitchen, shop and restaurant and coffee house. During summer time there are several guided tours daily. In local folklore, the castle is described as haunted by multiple ghosts and the tradition of storytelling inspired by the castle is continued in the summer events at the castle called "Strange stories and terrifying tales".