The archaeological park is one of the most beautiful places in the city and along the coast of Posillipo. Among the most important sites are the Seiano cave, the underwater park of Gaiola, the imperial villa of Pausilypon, the Odeon, the theatre and the Palace of the Spirits.
The ruins of the Roman villa of Vedius Pollio, also known as the Imperial Villa, include a 2000-seat theatre on the rocky promontary at the end of the Bay of Naples. Some of the villa's rooms can be seen with traces of the wall decorations while its marine structures and fish ponds are now part of the neighbouring submerged Gaiola Park. The villa was built in the first century BC by Publius Vedius Pollio. On his death in 15 BC, the villa was bequeathed to Augustus, and remained in imperial possession for his successors at least until Hadrian, as witnessed by a stamped water pipe. In various points the presence of water supply pipes (coated with hydraulic mortar) show the opulence of the facilities. Augustus demolished at least part of the house and constructed in its place a colonnade in honour of his wife Livia, which he dedicated in 7 BC.
The Palace of the Spirits is an archaeological complex on the coast near Marechiaro and was the nympheum of the villa and also built in the first century BC. The submerged parts of the ruins of the imperial villa and the rich and diverse marine and coastal natural environment can be seen via boat excursions.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.