The Abbey of Saint-Savin-en-Lavedan was a Benedictine abbey in the commune of Saint-Savin and one of the most important religious centres in the County of Bigorre. The abbey dates at least from the 10th century, and it was built by order of Charlemagne on the site of an ancient Gallo-Roman fortress. In 841, the abbey was looted and burnt by the Normans, and previously by the Saracens.
In 945, Count Raymond I of Bigorre gave the abbey a generous endowment consisting of a territory known as the Pascal de Saint-Savin, which was made of the eight villages. The church of Saint-Jean-de-Saint-Savin became their communal church.
In 1080 the abbey was united to the Abbey of St. Victor, Marseille. In 1130 Bernard d'Arcizas and Centule II, Count of Bigorre, confronted the abbot and the inhabitants of the Val d'Azun over a burial. Queen Marguerite of Navarre (1492–1549) took refuge in the abbey from a flood. From the thirteenth century, the abbey still controlled the territory of seven villages.
From the 16th century the abbey suffered due to the destruction associated with the French Wars of Religion and relaxed its discipline, although there were attempts to restore it in the 17th century by the monks of the Congregation of St. Maur.
Only three monks remained living in the abbey in 1790. In the following year, the church and the monastic buildings were converted for the use of the parish. Part of the abbey was sold for a stone quarry and the chapter house became a stable. In 1854, a strong earthquake caused further destructions. Prosper Mérimée took charge of its restoration in 1855.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.