Besieged in 778 by Charlemagne, Château Fort de Lourdes became the residence of the Counts of Bigorre in the 11th and 12th centuries. In the 13th century, it passed into the possession of the Counts of Champagne, part of the kingdom of Navarre before coming under the crown of France under Philippe le Bel. It was ceded to the English by the Treaty of Brétigny in 1360, before returning to France at the start of the 15th century after two sieges. In the 17th century, the castle became a royal prison, and a state prison after the French Revolution, continuing in this role until the start of the 20th century when it became the Pyrenean Museum (1921) which it remains.
The castle's origins go back to Roman times. Various remains from this era (fragments of sculpture, votive offerings, wall foundations) were brought to light by military engineering work in the 19th century. However, a consequence of these works was the destruction of the greater part of the ancient walls. The finds are exhibited on the site.
Today, the oldest remains date from the 11th and 12th centuries and consist of the foundations of the present fortifications. The castle was reinforced in the 13th and 14th centuries (construction of the keep), and again in the 17th and 18th centuries.
The Notre-Dame-du-Château chapel houses the furniture of the former parish church of Saint-Pierre de Lourdes, destroyed in 1904. The present chapel is constructed with recycled material from Saint-Pierre de Lourdes.References:
The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.
According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.
In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.
The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.
The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.
In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.
The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.