The Monasterio de Santa María de El Paular is a former Carthusian monastery. Construction is believed to have begun in 1390 by orders of Henry II of Castile, and construction proceeded for fifty years under his son, John I of Castile. It was sited where an old chapel stood. Supposedly he was spurred to this project due to his plundering of a chartreuse during a campaign in France. This was the first chartreuse in Castille and Leon. In 1403, a small adjacent palace was built under Rodrigo Alonso. Multiple architects contributed to the complex, including Juan Guas, Rodrigo Gil de Hontañón, Francisco Hurtado and Vicente Acero. The refectory was designed in a Moorish style.
The monastery was dissolved in 1835, and not till 1876 was some state protection afforded to the site. Since 1954, part of the monastery is occupied by the Benedictine order; while part was a private luxury hotel, operating as the Sheraton Santa Maria de El Paular, for many years, until it closed in 2014.
The spectacular late-Baroque decorations of the chapel of the sacristy and its Transparente (mid-18th century) by Francisco Hurtado Izquierdo and containing polychromatic marbles, solomonic columns, and gilded leafwork, contrast with the rocky serene simpleness of the cloisters. The silver decoration of the church included a silver “custodia” weighing some 24 arrobas (approximately 15 kilogram per arroba), which among with many other items, was probably looted by Napoleon's troops. There is a large 15th century carved wood reredos in excellent condition, and a fine ironwork screen segregating the monastic choir from the nave.
While it still has an interesting library, its once famous collection of books and maps has been dispersed. In 1755, an earthquake damaged the tower and nave roof. Missing from the site are 52 paintings by Vincenzo Carducci on the life of St. Bruno and other devotional incidents. The paintings are in local museums, including the Prado in Madrid. The paintings were returned to the monastery after restoration in 2011.
Parts of both monastery and hotel are open for visits by the public.References:
The Kalozha church of Saints Boris and Gleb is the oldest extant structure in Hrodna. It is the only surviving monument of ancient Black Ruthenian architecture, distinguished from other Orthodox churches by prolific use of polychrome faceted stones of blue, green or red tint which could be arranged to form crosses or other figures on the wall.
The church is a cross-domed building supported by six circular pillars. The outside is articulated with projecting pilasters, which have rounded corners, as does the building itself. The ante-nave contains the choir loft, accessed by a narrow gradatory in the western wall. Two other stairs were discovered in the walls of the side apses; their purpose is not clear. The floor is lined with ceramic tiles forming decorative patterns. The interior was lined with innumerable built-in pitchers, which usually serve in Eastern Orthodox churches as resonators but in this case were scored to produce decorative effects. For this reason, the central nave has never been painted.
The church was built before 1183 and survived intact, depicted in the 1840s by Michał Kulesza, until 1853, when the south wall collapsed, due to its perilous location on the high bank of the Neman. During restoration works, some fragments of 12th-century frescoes were discovered in the apses. Remains of four other churches in the same style, decorated with pitchers and coloured stones instead of frescoes, were discovered in Hrodna and Vaŭkavysk. They all date back to the turn of the 13th century, as do remains of the first stone palace in the Old Hrodna Castle.
In 2004, the church was included in the Tentative List of UNESCO"s World Heritage Sites.