Anacopia is an ancient Abkhazian military citadel in New Athos (as it is currently known) in the Russian sponsored Autonomous Republic of Abkhazia. It is the most complete surviving building of ancient Anacopia, the former capital of the Kingdom of Abkhazia.
A military structure was constructed here between the second and fourth centuries. At the end of the seventh century walls were constructed around the site of the citadel, with support from the Byzantines who had become alarmed by Islamist expansionism. The walls are constructed of largely tightly assembled and carefully hewn limestone blocks. There is a single entrance, a small gate on the south side of the enclosure. At the centre is a Roman style tower, four storeys high, with excellent views in all directions across the surrounding landscape and, to the south-west of the fortress, the Black Sea.
A small Christian basilica was also constructed in the centre of the fortress during or before the eighth century. The stone altar from it survives (2014), along with some frescoes featuring a cross and some fishes, a religious symbol frequently used by early Christians in and around the Eastern Roman empire. Next to the church is a cistern filled naturally with spring water by means of a 25 meter deep well beneath it.
During the eighth century Anacopia found itself near the moving frontier that separated Byzantine Christendom from the Umayyad Caliphate, and in 736/737 Abū ʿAbd Al-Malik Marwān ibn Muḥammad, the future Marwan II, appeared outside the walls with a force of 60,000 men and laid siege to what was by now the capital of the Abkhazian Kingdom. The Georgian chronicle relates that the citadel was defended by a force of 1,000 Georgians and 2,000 Abkhazians under the leadership of Leon I of Abkhazia. The chronicle recalls that the Arab forces suffered from an epidemic that killed 35,000 of them while a further 3,000 were killed in the fighting. The successful defence of Anacopia is regarded as a pivotal turning point in Georgian history.
A restoration was undertaken in 2008 to improve the safety of the site and reinstate the tower as a usable lookout point.References:
The famous Italian Medici family have given two queens to France: Catherine, the spouse of Henry II, and Marie, widow of Henry IV, who built the current Luxembourg palace. Maria di Medici had never been happy at the Louvre, still semi-medieval, where the fickle king, did not hesitate to receive his mistresses. The death of Henry IV, assassinated in 1610, left the way open for Marie's project. When she became regent, she was able to give special attention to the construction of an imposing modern residence that would be reminiscent of the Palazzo Pitti and the Boboli Gardens in Florence, where she grew up. The development of the 25-hectare park, which was to serve as a jewel-case for the palace, began immediately.
The architect, Salomon de Brosse, began the work in 1615. Only 16 years later was the palace was completed. Palace of Luxembourg affords a transition between the Renaissance and the Classical period.
In 1750, the Director of the King's Buildings installed in the wing the first public art-gallery in France, in which French and foreign canvases of the royal collections are shown. The Count of Provence and future Louis XVIII, who was living in Petit Luxembourg, had this gallery closed in 1780: leaving to emigrate, he fled from the palace in June 1791.
During the French Revolution the palace was first abandoned and then moved as a national prison. After that it was the seat of the French Directory, and in 1799, the home of the Sénat conservateur and the first residence of Napoleon Bonaparte, as First Consul of the French Republic. The old apartments of Maria di Medici were altered. The floor, which the 80 senators only occupied in 1804, was built in the middle of the present Conference Hall.
Beginning in 1835 the architect Alphonse de Gisors added a new garden wing parallel to the old corps de logis, replicating the look of the original 17th-century facade so precisely that it is difficult to distinguish at first glance the old from the new. The new senate chamber was located in what would have been the courtyard area in-between.
The new wing included a library (bibliothèque) with a cycle of paintings (1845–1847) by Eugène Delacroix. In the 1850s, at the request of Emperor Napoleon III, Gisors created the highly decorated Salle des Conférences, which influenced the nature of subsequent official interiors of the Second Empire, including those of the Palais Garnier.
During the German occupation of Paris (1940–1944), Hermann Göring took over the palace as the headquarters of the Luftwaffe in France, taking for himself a sumptuous suite of rooms to accommodate his visits to the French capital. Since 1958 the Luxembourg palace has been the seat of the French Senate of the Fifth Republic.