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The Church of Dormition of Lykhny is a medieval Orthodox Christian church in the village of Lykhny in Abkhazia/Georgia, built in the 10th century. Its 14th-century frescoes are influenced by the contemporary Byzantine art and adorned with more than a dozen of Georgian and Greek inscriptions.
The Lykhny church is a domed cross-in-square design, built of straight rows of well-refined ashlar stone. The small dome, with a low drum and a sloping roof, is based on four freely standing piers. The western portion of the building includes an upper gallery. The façades are simple, apertured with windows and marked with three protruding apses protruding from the east wall. There are traces of the 10th-11th-century wall painting, but the extant cycle of frescoes date to the 14th century. They are characterized by neatly colored, dynamic, and expressive paintings of somewhat elongated human figures.
The antiquities of Lykhny, then also known as Souk-Su, were first studied and published, in 1848, by the French scholar Marie-Félicité Brosset, who also copied several medieval Georgian and Greek inscriptions from the Lykhny church. Of note is the Georgian inscription, in the asomtavruli script, relating the apparition of Halley's Comet in 1066, in the reign of Bagrat IV of Georgia.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.