David Gareja is a rock-hewn Georgian Orthodox monastery complex located on the half-desert slopes of Mount Gareja. The complex includes hundreds of cells, churches, chapels, refectories and living quarters hollowed out of the rock face.
Part of the complex is located in the Agstafa rayon of Azerbaijan and has become subject to a border dispute between Georgia and Azerbaijan. The area is also home to protected animal species and evidence of some of the oldest human habitations in the region.
The complex was founded in the 6th century by David (St. David Garejeli), one of the thirteen Assyrian monks who arrived in the country at the same time. His disciples Dodo and Luciane expanded the original lavra and founded two other monasteries known as Dodo's Rka (literally, 'the horn of Dodo') and Natlismtsemeli ('the Baptist'). The monastery saw further development under the guidance of the 9th-century Georgian saint Ilarion. The convent was particularly patronized by the Georgian royal and noble families.
Despite the harsh environment, the monastery remained an important centre of religious and cultural activity for many centuries; at certain periods the monasteries owned extensive agricultural lands and many villages. The renaissance of fresco painting chronologically coincides with the general development of the life in the David Gareja monasteries. The high artistic skill of David Gareja frescoes made them an indispensable part of world treasure. From the late 11th to the early 13th centuries, the economic and cultural development of David Gareja reached its highest phase, reflecting the general prosperity of the medieval Kingdom of Georgia. New monasteries Udabno, Bertubani and Chichkhituri were built, the old ones were enlarged and re-organized.
With the downfall of the Georgian monarchy, the monastery suffered a lengthy period of decline and devastation by the Mongol army (1265), but was later restored by the Georgian kings. It survived the Safavid attack of 1615, when the monks were massacred and the monastery's unique manuscripts and important works of Georgian art destroyed, to be resurrected under Onopre Machutadze, who was appointed Father Superior of David Gareja in 1690.
After the violent Bolshevik takeover of Georgia in 1921, the monastery was closed down and remained uninhabited. In the years of the Soviet–Afghan War, the monastery's territory was used as a training ground for the Soviet military that inflicted damage to the unique cycle of murals in the monastery.
After the restoration of Georgia's independence in 1991, the monastery life in David Gareja was revived. The monastery remains active today and serves as a popular destination of tourism and pilgrimage.References:
The Arch of Constantine is situated between the Colosseum and the Palatine Hill. It was erected by the Roman Senate to commemorate Constantine I's victory over Maxentius at the Battle of Milvian Bridge in 312. Dedicated in 315, it is the largest Roman triumphal arch. The arch spans the Via triumphalis, the way taken by the emperors when they entered the city in triumph.
Though dedicated to Constantine, much of the decorative material incorporated earlier work from the time of the emperors Trajan (98-117), Hadrian (117-138) and Marcus Aurelius (161-180), and is thus a collage. The last of the existing triumphal arches in Rome, it is also the only one to make extensive use of spolia, reusing several major reliefs from 2nd century imperial monuments, which give a striking and famous stylistic contrast to the sculpture newly created for the arch.
The arch is 21 m high, 25.9 m wide and 7.4 m deep. Above the archways is placed the attic, composed of brickwork reveted (faced) with marble. A staircase within the arch is entered from a door at some height from the ground, on the west side, facing the Palatine Hill. The general design with a main part structured by detached columns and an attic with the main inscription above is modelled after the example of the Arch of Septimius Severus on the Roman Forum.