Top historic sites in Georgia
Narikala Castle
Narikala is an ancient fortress overlooking Tbilisi, the capital of Georgia, and the Kura River. The fortress consists of two walled sections on a steep hill between the sulphur baths and the botanical gardens of Tbilisi. On the lower court there is the recently restored St Nicholas church. Newly built in 1996–1997, it replaces the original 13th-century church that was destroyed in a fire. The new church is of 'p ...Svetitskhoveli Cathedral
The Svetitskhoveli Cathedral is an Eastern Orthodox cathedral located in the historic town of Mtskheta, A masterpiece of the Early Middle Ages, Svetitskhoveli is recognized by UNESCO as a World Heritage Site. It is currently the second largest church building in Georgia. History The original church was built in 4th century A.D. during the reign of Mirian III of Kartli. According to Georgian hagiography, ...Holy Trinity Cathedral
The Holy Trinity Cathedral (known as Sameba) is the main cathedral of the Georgian Orthodox Church located in Tbilisi. Constructed between 1995 and 2004, it is the third-tallest Eastern Orthodox cathedral in the world and one of the largest religious buildings in the world by total area. Sameba is a synthesis of traditional styles dominating the Georgian church architecture at various stages in history and has s ...Jvari Monastery
Jvari is a sixth century Georgian Orthodox monastery near Mtskheta. Along with other historic structures of Mtskheta, it is listed as a World Heritage site by UNESCO. It stands on the rocky mountaintop at the confluence of the Mtkvari and Aragvi rivers, overlooking the town of Mtskheta. According to traditional accounts, on this location in the early 4th century Saint Nino, a female evangelist credited with co ...Ananuri Castle
Ananuri was a castle and seat of the eristavis (Dukes) of Aragvi, a feudal dynasty which ruled the area from the 13th century. The castle was the scene of numerous battles. The current ensemble dates from the 16th and 17th centuries. In 1739, Ananuri was attacked by forces from a rival duchy, commanded by Shanshe of Ksani and was set on fire. The Aragvi clan was massacred. However, four years later, the local peasants ...Gelati Monastery
Gelati is a medieval monastic complex near Kutaisi. A masterpiece of the Georgian Golden Age, Gelati is recognized by UNESCO as a World Heritage Site. The Gelati Monastery was built in 1106 by King David IV of Georgia. It was constructed during the Byzantine empire, during which christianity was the ruling religion throughout the empire. The main church was completed in 1130 in the reign of his son and successor ...Vardzia Cave Monastery
Vardzia is a cave monastery site excavated from the slopes of the Erusheti Mountain on the left bank of the Kura River. The caves stretch along the cliff for some five hundred meters and in up to nineteen tiers. Vardzia was inhabited during the Bronze Age and indicated the reach of Trialeti culture. Four distinct building phases have been identified at Vardzia. The first was during the reign of Giorgi III (1156-1 ...Uplistsikhe
Uplistsikhe is an ancient rock-hewn town in eastern Georgia, some 10 kilometers east of the town of Gori. Built on a high rocky left bank of the Mtkvari River, it contains various structures dating from the Early Iron Age to the Late Middle Ages, and is notable for the unique combination of various styles of rock-cut cultures from Anatoliaand Iran, as well as the co-existence of pagan and Christian architectu ...David Gareja Monastery
David Gareja is a rock-hewn Georgian Orthodox monastery complex located on the half-desert slopes of Mount Gareja. The complex includes hundreds of cells, churches, chapels, refectories and living quarters hollowed out of the rock face. Part of the complex is located in the Agstafa rayon of Azerbaijan and has become subject to a border dispute between Georgia and Azerbaijan. The area is also home to protected anim ...Art Museum of Georgia
The Art Museum of Georgia (AMG) is one of the leading museums in the country of Georgia. It has around 140,000 items of Georgian, Oriental, Russian, and other European art. A predecessor of the present-day museum, the National Art Gallery, was opened through the efforts of Western-educated young Georgian artists in Tbilisi in 1920. Out of it grew the Central Museum of Fine Arts, which was opened in Tbilisi in August ...Rabati Castle
Rabati Castle in Akhaltsikhe, Georgia, was originally established in the 9th century as the Lomisa Castle. It was completely rebuilt by Ottomans. Most of the surviving buildings date from the 17th and 18th centuries. According to the Georgian Chronicles the city was established in the 9th century by Guaram Mampal, son of the King of Tao. From the 13th to the end of 14th centuries it was the capital city of Samtsk ...Chazhashi
The village of Chazhashi in Ushguli community, situated at the confluence of the lnguri and Black Rivers, has preserved more than 200 medieval tower houses, churches and castles. The land use and settlement structure reveal the continued dwelling and building traditions of local Svan people living in harmony with the surrounding natural environment. The origins of Svaneti tower houses go back to prehistory. Its features ...Samtavro Monastery
Samtavro Transfiguration Orthodox Church and Nunnery of St. Nino in Mtskheta, Georgia, were built in the 4th century by King Mirian III of Iberia. The church was reconstructed in the 11th century by King George I and Catholicos-Patriarch Melkisedek. The famous Georgian Saint monk Gabriel is buried in the yard of Samtavro Church. Samtavro is part of the UNESCO World Heritage Site of Historical Monuments of Mts ...Alaverdi Monastery
Alaverdi Monastery is a Georgian Eastern Orthodox monastery located 25 km from Akhmeta. While parts of the monastery date back to 6th century, the present day cathedral was built in the 11th century by Kvirike III of Kakheti, replacing an older church of St. George. The monastery was founded by the Assyrian monk Joseph Alaverdeli, who came from Antioch and settled in Alaverdi, then a small village and former paga ...Gori Castle
Gori Castle is a medieval citadel in Georgia, standing above the city of Gori on a rocky hill. The castle first appears in the 13th century records but archaeological evidence shows that the area had already been fortified in the last centuries BC. The fortress controlled major strategic and economic routes and accommodated a large garrison. In the 16th century the Ottomans captured it to overawe Tbilisi. In 1598 ...Gonio Castle
Gonio fortress (previously called Apsaros, or Apsaruntos), is a Roman fortification in Adjara, at the mouth of the Chorokhi river. The oldest reference to the fortress is by Pliny the Elder in the Natural History (1st century AD). There is also a reference to the ancient name of the site in Appian’s Mithridatic Wars (2nd century AD). In the 2nd century AD it was a well-fortified Roman city within Colchis. The ...Khertvisi Castle
Khertvisi is one of the oldest fortresses in Georgia and was functional throughout the Georgian feudal period. It was first built in the 2nd century BC. The church was built in 985, and the present walls were built in 1354. As the legend says, Khertvisi was destroyed by Alexander the Great. In the 10th-11th centuries it was the center of Meskheti region. During the 12th century it became a town. In the 13th century M ...Ateni Sioni Church
The Ateni Sioni Church is an early 7th-century Georgian Orthodox church in the village of Ateni, some 10 km south of the city of Gori, Georgia. It stands in a setting of the Tana River valley known not only for its historical monuments but also for its picturesque landscapes and wine. The name 'Sioni' derives from Mount Zion at Jerusalem. Sioni is an early example of a 'four-apse church with four ...Samtavisi Cathedral
Samtavisi is an eleventh-century Georgian Orthodox cathedral 45km from Tbilisi. According to a Georgian tradition, the first monastery on this place was founded by the Assyrian missionary Isidore in 572 and later rebuilt in the 10th century. Neither of these buildings has survived however. The earliest extant structures date to the eleventh century, the main edifice being built in 1030 as revealed by a now lost stone ...Featured Historic Landmarks, Sites & Buildings
Historic Site of the week
Quimper Cathedral
From 1239, Raynaud, the Bishop of Quimper, decided on the building of a new chancel destined to replace that of the Romanesque era. He therefore started, in the far west, the construction of a great Gothic cathedral which would inspire cathedral reconstructions in the Ile de France and would in turn become a place of experimentation from where would later appear ideas adopted by the whole of lower Brittany. The date of 1239 marks the Bishop’s decision and does not imply an immediate start to construction. Observation of the pillar profiles, their bases, the canopies, the fitting of the ribbed vaults of the ambulatory or the alignment of the bays leads us to believe, however, that the construction was spread out over time.
The four circular pillars mark the start of the building site, but the four following adopt a lozenge-shaped layout which could indicate a change of project manager. The clumsiness of the vaulted archways of the north ambulatory, the start of the ribbed vaults at the height of the south ambulatory or the choice of the vaults descending in spoke-form from the semi-circle which allows the connection of the axis chapel to the choir – despite the manifest problems of alignment – conveys the hesitancy and diverse influences in the first phase of works which spread out until the start of the 14th century.
At the same time as this facade was built (to which were added the north and south gates) the building of the nave started in the east and would finish by 1460. The nave is made up of six bays with one at the level of the facade towers and flanked by double aisles – one wide and one narrow (split into side chapels) – in an extension of the choir arrangements.
The choir presents four right-hand bays with ambulatory and side chapels. It is extended towards the east of 3-sided chevet which opens onto a semi-circle composed of five chapels and an apsidal chapel of two bays and a flat chevet consecrated to Our Lady.
The three-level elevation with arches, triforium and galleries seems more uniform and expresses anglo-Norman influence in the thickness of the walls (Norman passageway at the gallery level) or the decorative style (heavy mouldings, decorative frieze under the triforium). This building site would have to have been overseen in one shot. Undoubtedly interrupted by the war of Succession (1341-1364) it draws to a close with the building of the lierne vaults (1410) and the fitting of stained-glass windows. Bishop Bertrand de Rosmadec and Duke Jean V, whose coat of arms would decorate these vaults, finished the chancel before starting on the building of the facade and the nave.
Isolated from its environment in the 19th century, the cathedral was – on the contrary – originally very linked to its surroundings. Its site and the orientation of the facade determined traffic flow in the town. Its positioning close to the south walls resulted in particuliarities such as the transfer of the side gates on to the north and south facades of the towers: the southern portal of Saint Catherine served the bishop’s gate and the hospital located on the left bank (the current Préfecture) and the north gate was the baptismal porch – a true parish porch with its benches and alcoves for the Apostles’ statues turned towards the town, completed by an ossuary (1514).
The west porch finds its natural place between the two towers. The entire aesthetic of these three gates springs from the Flamboyant era: trefoil, curly kale, finials, large gables which cut into the mouldings and balustrades. Pinnacles and recesses embellish the buttresses whilst an entire bestiary appears: monsters, dogs, mysterious figures, gargoyles, and with them a whole imaginary world promoting a religious and political programme. Even though most of the saints statues have disappeared an armorial survives which makes the doors of the cathedral one of the most beautiful heraldic pages imaginable: ducal ermine, the Montfort lion, Duchess Jeanne of France’s coat of arms side by side with the arms of the Cornouaille barons with their helmets and crests. One can imagine the impact of this sculpted decor with the colour and gilding which originally completed it.
At the start of the 16th century the construction of the spires was being prepared when building was interrupted, undoubtedly for financial reasons. Small conical roofs were therefore placed on top of the towers. The following centuries were essentially devoted to putting furnishings in place (funeral monuments, altars, statues, organs, pulpit). Note the fire which destroyed the spire of the transept cross in 1620 as well as the ransacking of the cathedral in 1793 when nearly all the furnishings disappeared in a « bonfire of the saints ».
The 19th century would therefore inherit an almost finished but mutilated building and would devote itself to its renovation according to the tastes and theories of the day.