The town of Dmanisi is first mentioned in the 9th century as a possession of the Arab emirate of Tbilisi, though the area had been settled since the Early Bronze Age. An Orthodox Christian cathedral ('Dmanisi Sioni') was built there in the 6th century. Located on the confluence of trading routes and cultural influences, Dmanisi was of particular importance, growing into a major commercial center of medieval Georgia.
The site includes an inner castle, secular buildings, shrines and a secret tunnel. Also on this site you can see ruins and fundaments of dwellings, mosque with minaret, madrasa, bathhouses, oil house, pottery, and other workshops, wine cellars, paved roads, etc. It was a big fun for us to explore numerous semi-underground structures with holes in vaults and reservoirs for collecting rainwater with well-preserved elements of pipes and bathes.
The walls and vaults of Dmanisi Sioni three-aisled basilica, constructed from rough stones, remember a lot of rebuilds. Time has made its 13th century frescoes pale, and faces on them are almost indiscernible. In 13th century the church also was updated by narthex, which looks completely atypically for Georgian architecture, but is very similar to Armenian gavits – there is less the 15 km to the border of Armenia. And the khachkar (carved, memorial stele bearing a cross) on its frontone completes the picture. The narthex with its ornaments and manuscripts and with tombstones on the floor looks really gorgeous.
The Cloth Hall in Kraków dates to the Renaissance and is one of the city's most recognizable icons. It is the central feature of the main market square in the Kraków Old Town (listed as a UNESCO World Heritage Site since 1978).
The hall was once a major centre of international trade. Traveling merchants met there to discuss business and to barter. During its golden age in the 15th century, the hall was the source of a variety of exotic imports from the east – spices, silk, leather and wax – while Kraków itself exported textiles, lead, and salt from the Wieliczka Salt Mine.
Kraków was Poland's capital city and was among the largest cities in Europe already from before the time of the Renaissance. However, its decline started with the move of the capital to Warsaw in the very end of the 16th century. The city's decline was hastened by wars and politics leading to the Partitions of Poland at the end of the 18th century. By the time of the architectural restoration proposed for the cloth hall in 1870 under Austrian rule, much of the historic city center was decrepit. A change in political and economic fortunes for the Kingdom of Galicia and Lodomeria ushered in a revival due to newly established Legislative Assembly or Sejm of the Land. The successful renovation of the Cloth Hall, based on design by Tomasz Pryliński and supervised by Mayor Mikołaj Zyblikiewicz, Sejm Marshal, was one of the most notable achievements of this period.
The hall has hosted many distinguished guests over the centuries and is still used to entertain monarchs and dignitaries, such as Charles, Prince of Wales and Emperor Akihito of Japan, who was welcomed here in 2002. In the past, balls were held here, most notably after Prince Józef Poniatowski had briefly liberated the city from the Austrians in 1809. Aside from its history and cultural value, the hall still is still used as a center of commerce.
On the upper floor of the hall is the Sukiennice Museum division of the National Museum, Kraków. It holds the largest permanent exhibit of the 19th-century Polish painting and sculpture, in four grand exhibition halls arranged by historical period and the theme extending into an entire artistic epoch. The museum was upgraded in 2010 with new technical equipment, storerooms, service spaces as well as improved thematic layout for the display.
The Gallery of 19th-Century Polish Art was a major cultural venue from the moment it opened on October 7, 1879. It features late Baroque, Rococo, and Classicist 18th-century portraits and battle scenes by Polish and foreign pre-Romantics.