Metekhi was one of the earliest inhabited areas on the Tbilisi's territory. According to traditional accounts, King Vakhtang I Gorgasali erected here a church and a fort which served also as a king’s residence; hence comes the name Metekhi which dates back to the 12th century and literally means “the area around the palace”. Tradition holds that it was also a site where the 5th-century martyr lady Saint Shushanik was buried. However, none of these structures have survived the Mongol invasion of 1235.
The extant Metekhi Church of Assumption, resting upon the top of the hill, was built by the Georgian king St Demetrius II circa 1278–1284 and is somewhat an unusual example of domed Georgian Orthodox church. It was later damaged and restored several times. King Rostom (r. 1633-1658) fortified the area around the church with a strong citadel garrisoned by some 3,000 soldiers. Under the Russian rule (established in 1801), the church lost its religious purpose and was used as a barracks (R. G. Suny, p. 93). The citadel was demolished in 1819 and replaced by a new building which functioned as the infamous jail down to the Soviet era, and was closed only in 1938.
The Metekhi church is a cross-cupola church. While this style was the most common throughout the Middle Ages, the Metekhi church is somewhat anachronistic with its three projecting apses in the east facade and the four freestanding pillars supporting the cupola within. The church is made of brick and dressed stone. The restoration of the 17th, 18th, and 19th centuries mostly employed brick. The facade is for the most part smooth, with decorative elements concentrated around the windows of the eastern apses. Horizontal bands below the gables run around all four sides and serve as a unifying element. The north portico of the main entrance is not a later addition but was built at the same time as the rest of the church.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.