Kartlis Deda, Tbilisi, Georgia - SpottingHistory.com

Kartlis Deda statue was erected on the top of Sololaki hill in 1958, the year Tbilisi celebrated its 1500th anniversary. Prominent Georgian sculptor Elguja Amashukeli designed the twenty-metre aluminium figure of a woman in Georgian national dress. She symbolizes the Georgian national character: in her left hand she holds a bowl of wine to greet those who come as friends, and in her right hand is a sword for those who come as enemies.

References:

Wikipedia

Statues in Georgia

User Reviews

Maya Miftahova (2 years ago)
Awesome place with the panoramic view of Tbilisi. Great to get here in the evening, so the city is lighted

YJ Koh (2 years ago)
Love that she has a bowl (representing wine) in one hand and a sword in the other. Truly symbolic of the Georgian character

Mansour Alajmi (2 years ago)
Beautiful place, you can go there by cable car but there is nothing up there one the mother of Georgia. It's good place to take pictures and you can find some talent people up there with great shows. You can take good pictures of the city and it will be nice at night too. Need to visit

hamideh masumi (2 years ago)
You can use the cable car to climb. The city view from the top is very beautiful. After that, walk to other places.

A Bee (2 years ago)
Beautiful place, friendly people and cheap food. It's best not to go in the winter though because the icy cold weather ruined our walks around the area. I went with friends and I'm not Christian but I found out some really interesting facts from talking to the local people. We didn't pay for a guide. We did our own research and experienced it ourselves. Will go back again just to see the beauty of it.

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Les Invalides

Les Invalides is a complex of buildings containing museums and monuments, all relating to the military history of France, as well as a hospital and a retirement home for war veterans, the building"s original purpose. The buildings house the Musée de l"Armée, the military museum of the Army of France, the Musée des Plans-Reliefs, and the Musée d"Histoire Contemporaine, as well as the burial site for some of France"s war heroes, notably Napoleon Bonaparte.

Louis XIV initiated the project in 1670, as a home and hospital for aged and unwell soldiers: the name is a shortened form of hôpital des invalides. The architect of Les Invalides was Libéral Bruant. The enlarged project was completed in 1676, the river front measured 196 metres and the complex had fifteen courtyards. Jules Hardouin Mansart assisted the aged Bruant, and the chapel was finished in 1679 to Bruant"s designs after the elder architect"s death.

Shortly after the veterans" chapel was completed, Louis XIV commissioned Mansart to construct a separate private royal chapel referred to as the Église du Dôme from its most striking feature. Inspired by St. Peter"s Basilica in Rome, the original for all Baroque domes, it is one of the triumphs of French Baroque architecture. The domed chapel is centrally placed to dominate the court of honour. It was finished in 1708.

Because of its location and significance, the Invalides served as the scene for several key events in French history. On 14 July 1789 it was stormed by Parisian rioters who seized the cannons and muskets stored in its cellars to use against the Bastille later the same day. Napoleon was entombed under the dome of the Invalides with great ceremony in 1840. In December 1894 the degradation of Captain Alfred Dreyfus was held before the main building, while his subsequent rehabilitation ceremony took place in a courtyard of the complex in 1906.

The building retained its primary function of a retirement home and hospital for military veterans until the early twentieth century. In 1872 the musée d"artillerie (Artillery Museum) was located within the building to be joined by the Historical Museum of the Armies in 1896. The two institutions were merged to form the present musée de l"armée in 1905. At the same time the veterans in residence were dispersed to smaller centres outside Paris. The reason was that the adoption of a mainly conscript army, after 1872, meant a substantial reduction in the numbers of veterans having the twenty or more years of military service formerly required to enter the Hôpital des Invalides. The building accordingly became too large for its original purpose. The modern complex does however still include the facilities detailed below for about a hundred elderly or incapacitated former soldiers.

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