The Achi monastery is a single-nave hall church, built of hewn stone. Constructed at the end of the 13th century or in the early 14th, it was later reroofed, renovated and surrounded by a defensive wall. The whole interior is frescoed. Some murals, stylistically dated to the late 13th century and betraying affinities with the Palaeologan art, are iconographic rarities, such as those depicting the life of Saint George.
The Achi monastery was favored by the Princes of Guria, especially Simon I Gurieli and Kaikhosro I Gurieli in the 17th century. Both made significant donations to the church and Kaikhosro made it a metochion of the bishopric see of Shemokmedi. The abbotship of Achi was then hereditary in the Salukvadze-Taqaishvili family. The church housed a gilded silver cross with a Georgian inscription mentioning the queen Tamar, which was discovered by Ekvtime Taqaishvili. The item was preserved in the Salukvadze family during the Soviet period and returned to the Achi church in 2015.References:
Tyniec Benedictine abbey was founded by King Casimir the Restorer probably around 1044. Casimir decided to rebuild the newly established Kingdom of Poland, after a Pagan rebellion and a disastrous Czech raid of Duke Bretislaus I (1039). The Benedictines, invited to Tyniec by the King, were tasked with restoring order as well as cementing the position of the State and the Church. First Tyniec Abbot was Aaron, who became the Bishop of Kraków. Since there is no conclusive evidence to support the foundation date as 1040, some historians claim that the abbey was founded by Casimir the Restorer’ son, King Boleslaw II the Generous.
In the second half of the 11th century, a complex of Romanesque buildings was completed, consisting of a basilica and the abbey. In the 14th century, it was destroyed in Tatar and Czech raids, and in the 15th century it was rebuilt in Gothic style. Further remodelings took place in the 17th and 18th centuries, first in Baroque, then in Rococo style. The abbey was partly destroyed in the Swedish invasion of Poland, and soon afterwards was rebuilt, with a new library. Further destruction took place during the Bar Confederation, when Polish rebels turned the abbey into their fortress.
In 1816, Austrian authorities liquidated the abbey, and in 1821-1826, it was the seat of the Bishop of Tyniec, Grzegorz Tomasz Ziegler. The monks, however, did not return to the abbey until 1939, and in 1947, remodelling of the neglected complex was initiated. In 1968, the Church of St. Peter and Paul was once again named the seat of the abbot. The church itself consists of a Gothic presbytery and a Baroque main nave. Several altars were created by an 18th-century Italian sculptor Francesco Placidi. The church also has a late Baroque pulpit by Franciszek Jozef Mangoldt.