The Katskhi Monastery of Nativity of the Savior was built at the behest of the Baguashi family in the period of 988–1014. The church building is noted for a hexagonal design and rich ornamentation. Closed down by the Soviet government in 1924, the monastery was revived in 1990 and is now operated by the Eparchy of Sachkhere and Chiatura of the Georgian Orthodox Church.
The Katskhi monastery is a octagonal building of more complex design than other similar polygonal Georgian monuments. The exterior of the church features three gradually narrowing cylindrical levels formed by the faceted gallery, the main body of the church, and the drum of the dome.
The six apses are inscribed into the outer polyhedron and surrounded by an ambulatory from all sides. A single spacious interior compartment around the subdome bay includes radially oriented semi-circular apses. One of these, the altar apse, projects outward prominently due to its large bema. The drum of the dome is also faceted. Each facet of the main body of the church as well as that of the dome and gallery terminate in a pediment with three lines of polygonal cornices.
The building was richly ornated, but the decoration of two upper tiers was lost in the process of the 1854 restoration. Of note is a large composition in relief at the southern vestibule of the gallery, the Exaltation of the Holy Cross, featuring a cross supported by four angels.
The church is surrounded by a pentagonal wall, which contains a free-standing bell tower in its eastern corner. These structures are later additions, probably from the 17th or 18th century.
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The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.