The Katskhi Monastery of Nativity of the Savior was built at the behest of the Baguashi family in the period of 988–1014. The church building is noted for a hexagonal design and rich ornamentation. Closed down by the Soviet government in 1924, the monastery was revived in 1990 and is now operated by the Eparchy of Sachkhere and Chiatura of the Georgian Orthodox Church.
The Katskhi monastery is a octagonal building of more complex design than other similar polygonal Georgian monuments. The exterior of the church features three gradually narrowing cylindrical levels formed by the faceted gallery, the main body of the church, and the drum of the dome.
The six apses are inscribed into the outer polyhedron and surrounded by an ambulatory from all sides. A single spacious interior compartment around the subdome bay includes radially oriented semi-circular apses. One of these, the altar apse, projects outward prominently due to its large bema. The drum of the dome is also faceted. Each facet of the main body of the church as well as that of the dome and gallery terminate in a pediment with three lines of polygonal cornices.
The building was richly ornated, but the decoration of two upper tiers was lost in the process of the 1854 restoration. Of note is a large composition in relief at the southern vestibule of the gallery, the Exaltation of the Holy Cross, featuring a cross supported by four angels.
The church is surrounded by a pentagonal wall, which contains a free-standing bell tower in its eastern corner. These structures are later additions, probably from the 17th or 18th century.
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The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.