The Kvatakhevi monastic complex is situated near the village Kavtiskhevi at the end of the gorge cut by a stream in the northern slopes of the Trialeti Range, protected on three sides by the steep mountain slopes. It dates to the 12th-13th century, and resembles the monasteries of Betania, Pitareti, and Timotesubani in its architectural form and decoration, reflecting a contemporary canon of a Georgian domed church architecture. The overall plan is nearly a square, with the dome resting upon 2 freely standing pillars and 2 pillars fused with the ledges of the altar. The internal space of the church is formed by the arms of the cross and the dome which surmounts the crossing point.
The building has two portals, one to the south and one to the west. The façades are covered with finely hewn white stone squares. The decoration abounds in fretwork, especially around the windows and the base of the dome; the eastern façade is adorned with a large ornate cross.
Historically, Kvatakhevi was also a literary center where several manuscripts were copied. It also possessed a treasure with many artifacts of medieval Georgian jewelry, a sizeable portion of which was later acquired by and are now on display at the Moscow State Historical Museum.
The monastery was significantly damaged during Timur's invasions of Georgia in the 14th century, but was subsequently repaired, more completely under the patronage of Prince Ivane Tarkhan-Mouravi in 1854. A belfry was added in 1872.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.