The Svetitskhoveli Cathedral is an Eastern Orthodox cathedral located in the historic town of Mtskheta, A masterpiece of the Early Middle Ages, Svetitskhoveli is recognized by UNESCO as a World Heritage Site. It is currently the second largest church building in Georgia.
The original church was built in 4th century A.D. during the reign of Mirian III of Kartli. According to Georgian hagiography, in the 1st century AD a Georgian Jew from Mtskheta named Elias was in Jerusalem when Jesus was crucified. Elias bought Jesus’ robe from a Roman soldier at Golgotha and brought it back to Georgia. Returning to his native city, he was met by his sister Sidonia who upon touching the robe immediately died from the emotions engendered by the sacred object. The robe could not be removed from her grasp, so she was buried with it. The place where Sidonia is buried with Christ's robe is preserved in the Cathedral. Georgia officially adopted Christianity as its state religion in 337.
Svetitskhoveli Cathedral has been damaged several times during history, notably by the invasions of Arabs, Persians and Timur, and latterly during Russiansubjugation and the Soviet period. The building has also been damaged by earthquakes.
During the restoration of 1970-71 which was presided over by V. Tsintsadze, the base of the basilica built in the late 5th century by King Vakhtang Gorgasali after St. Nino’s original church was found. During the early years of Georgian church building, the basilica was the dominant type of the Georgian church architecture before the cross-dome style emerged.
The present Svetitskhoveli Cathedral was built between 1010 and 1029 by the architect Arsakidze, at the invitation of the Catholicos Melkisedek of Georgia. The king of Georgia for that time was Giorgi I.
The cathedral is surrounded by a defensive wall, built of stone and brick during the reign of King Erekle II (Heraclius) in 1787. The top storey was designed for military purposes and has gun emplacements. The entrance to the Cathedral from the wall is located to the west. The wall has eight towers: six of them are cylindrical and two of them are square. Archaeological expeditions in 1963 found the house of Patriarch of the 11th century at the southern part of the wall. Inside the church yard, the remains of the two-story castle of Patriarch Anton II were found.
The architecture of the present cathedral is based on the cross-dome style of church architecture, which emerged in Georgia in the early Middle Ages and became the principle style after the political unification of Georgia by Bagrat III (978-1014). The characteristic of this style is that the dome is placed across all four sides of church. The structure of the church is intended to ensure good acoustics. The dome of Svetitskhoveli was reconstructed several times over the centuries to keep the church in good condition.
The basic stone used for the Cathedral is a sandy yellow with trimmings, while around the apse window a red stone is used. The green stone used in the drum of the cupola is from the 17th century. The curved blind arcading throughout is unaltered from the 11th century.
A large window occupies most of the western top side of the church. The decoration shows the Christ sitting and two angels at the both sides. The original sculpture on the wall has not survived, but was restored several times, most recently in the 19th century.
The cathedral interior walls were once fully adorned with medieval frescoes, but many of them did not survive. Today, after much careful restoration, some frescoes survive, including a 13th-century depiction of the 'Beast of the Apocalypse' and figures of the Zodiac.
Two bulls' heads on the east façade, remnants of the 5th-century church, attest to the folk influence on Christian iconography in that early period.
On the right side from the entrance of the Cathedral is a stone baptismal font dating from the 4th century. It is thought to have been used for the baptism of King Mirian and Queen Nana. Immediately behind the font is a reproduction of the relief of Arsukidze’s right hand and bevel found on the north facade.
On the south side there is a small stone church built into the Cathedral. This is a symbolic copy of the Chapel of Holy Sepulchre in Jerusalem. Built between the end of the 13th and the beginning the 14th centuries, it was erected here to mark Svetitskhoveli as the second most sacred place in the world (after the church of Jerusalem), thanks to Christ’s robe.References:
The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.
According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.
In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.
The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.
The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.
In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.
The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.