The Kvatakhevi monastic complex is situated near the village Kavtiskhevi at the end of the gorge cut by a stream in the northern slopes of the Trialeti Range, protected on three sides by the steep mountain slopes. It dates to the 12th-13th century, and resembles the monasteries of Betania, Pitareti, and Timotesubani in its architectural form and decoration, reflecting a contemporary canon of a Georgian domed church architecture. The overall plan is nearly a square, with the dome resting upon 2 freely standing pillars and 2 pillars fused with the ledges of the altar. The internal space of the church is formed by the arms of the cross and the dome which surmounts the crossing point.
The building has two portals, one to the south and one to the west. The façades are covered with finely hewn white stone squares. The decoration abounds in fretwork, especially around the windows and the base of the dome; the eastern façade is adorned with a large ornate cross.
Historically, Kvatakhevi was also a literary center where several manuscripts were copied. It also possessed a treasure with many artifacts of medieval Georgian jewelry, a sizeable portion of which was later acquired by and are now on display at the Moscow State Historical Museum.
The monastery was significantly damaged during Timur's invasions of Georgia in the 14th century, but was subsequently repaired, more completely under the patronage of Prince Ivane Tarkhan-Mouravi in 1854. A belfry was added in 1872.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.