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The Church of Dormition of Lykhny is a medieval Orthodox Christian church in the village of Lykhny in Abkhazia/Georgia, built in the 10th century. Its 14th-century frescoes are influenced by the contemporary Byzantine art and adorned with more than a dozen of Georgian and Greek inscriptions.
The Lykhny church is a domed cross-in-square design, built of straight rows of well-refined ashlar stone. The small dome, with a low drum and a sloping roof, is based on four freely standing piers. The western portion of the building includes an upper gallery. The façades are simple, apertured with windows and marked with three protruding apses protruding from the east wall. There are traces of the 10th-11th-century wall painting, but the extant cycle of frescoes date to the 14th century. They are characterized by neatly colored, dynamic, and expressive paintings of somewhat elongated human figures.
The antiquities of Lykhny, then also known as Souk-Su, were first studied and published, in 1848, by the French scholar Marie-Félicité Brosset, who also copied several medieval Georgian and Greek inscriptions from the Lykhny church. Of note is the Georgian inscription, in the asomtavruli script, relating the apparition of Halley's Comet in 1066, in the reign of Bagrat IV of Georgia.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.