Strömsholm Palace, sometimes called Strömsholm Castle is a Swedish royal palace. The baroque palace is built on the site of a fortress from the 1550s, located on an island in the Kolbäcksån river at the west end of Lake Mälaren. The palace has interiors from the 18th century and an important collection of Swedish paintings.
King Gustav Vasa had a fortress built at Strömsholm in the 1550s. This later provided the foundation for the present Strömsholm Palace, built in 1669-1674 for Queen Hedvig Eleonora to a design by Nicodemus Tessin the Elder. The palace consists of a central building framed by four square corner towers. On the park side, there is a large, domed central tower. Around 20 estate buildings were erected at the same time as the palace, and the first stages of a park in the French baroque style were laid out. Work on the interiors came to a halt when the building's fabric was completed. Not until the 1730s was the first phase of interior work carried out, including a palace chapel in the attic designed by the Swedish architect Carl Hårleman.
The interiors at Strömsholm Palace are largely Gustavian in style. In 1766 the heir to the Swedish throne, later King Gustav III, married Princess Sophia Magdalena of Denmark. As a wedding present from the Swedish Riksdag, she was given Strömsholm Palace. Extensive interior works commenced, under the architectural direction of Carl Fredrik Adelcrantz, and continued into the 19th century. The queen's bedchamber is a prime example of Swedish interior design from the start of the Gustavian era, as well as the Chinese dining room with its fabric-covered walls with Chinese style paintings done by the renowned tapestry painter Lars Bolander.
The palace also houses an important collection of Swedish paintings from the 17th century, amongst others David Klöcker Ehrenstrahl's paintings of King Charles XII's horses. Since the 16th century, Strömsholm has been an equestrian center of Sweden. In the 1550s, King Gustav Vasa reinforced the importance of horses here, by raising horses for Sweden´s army. The Strömsholm Riding School was a part of the Swedish Army from 1868 to 1968. Today, Strömsholm is used as a hippodrome, where equestrian competitions are held each year.
In 1985, the palace underwent major renovation of its facade. Over the years, the exterior had undergone various alterations, but the plasterwork as originally applied in the 1670s was largely intact. The roof was covered with tar shingles until the 19th century, when these were replaced with tin. The palace was restored in stages during the 1990s. The disposition of the rooms in the royal apartments was restored, and the 18th century furnishings were placed in the correct context. One of the most important features of the restoration was the reproduction of the 1760s wallpaper, the original of which was found in isolation on an attic beam in one of the houses on the estate. Old linen towels were transformed into royal wallpaper.References:
The Old Town in Aarhus, Denmark (Den Gamle By), is an open-air town museum consisting of 75 historical buildings collected from 20 townships in all parts of the country. In 1914 the museum opened as the world's first open-air museum of its kind, concentrating on town culture rather than village culture, and to this day it remains one of just a few top rated Danish museums outside Copenhagen.
The museum buildings are organized into a small town of chiefly half-timbered structures originally erected between 1550 and the late 19th century in various parts of the country and later moved to Aarhus during the 20th century. In all there are some 27 rooms, chambers or kitchens, 34 workshops, 10 groceries or shops, 5 historical gardens, a post office, a customs office, a school and a theatre.
The town itself is the main attraction but most buildings are open for visitors; rooms are either decorated in the original historical style or organized into larger exhibits of which there are 5 regular with varying themes. There are several groceries, diners and workshops spread throughout the town with museum staff working in the roles of town figures i.e. merchant, blacksmith etc. adding to the illusion of a 'living' town.