Strömsholm Palace, sometimes called Strömsholm Castle is a Swedish royal palace. The baroque palace is built on the site of a fortress from the 1550s, located on an island in the Kolbäcksån river at the west end of Lake Mälaren. The palace has interiors from the 18th century and an important collection of Swedish paintings.
King Gustav Vasa had a fortress built at Strömsholm in the 1550s. This later provided the foundation for the present Strömsholm Palace, built in 1669-1674 for Queen Hedvig Eleonora to a design by Nicodemus Tessin the Elder. The palace consists of a central building framed by four square corner towers. On the park side, there is a large, domed central tower. Around 20 estate buildings were erected at the same time as the palace, and the first stages of a park in the French baroque style were laid out. Work on the interiors came to a halt when the building's fabric was completed. Not until the 1730s was the first phase of interior work carried out, including a palace chapel in the attic designed by the Swedish architect Carl Hårleman.
The interiors at Strömsholm Palace are largely Gustavian in style. In 1766 the heir to the Swedish throne, later King Gustav III, married Princess Sophia Magdalena of Denmark. As a wedding present from the Swedish Riksdag, she was given Strömsholm Palace. Extensive interior works commenced, under the architectural direction of Carl Fredrik Adelcrantz, and continued into the 19th century. The queen's bedchamber is a prime example of Swedish interior design from the start of the Gustavian era, as well as the Chinese dining room with its fabric-covered walls with Chinese style paintings done by the renowned tapestry painter Lars Bolander.
The palace also houses an important collection of Swedish paintings from the 17th century, amongst others David Klöcker Ehrenstrahl's paintings of King Charles XII's horses. Since the 16th century, Strömsholm has been an equestrian center of Sweden. In the 1550s, King Gustav Vasa reinforced the importance of horses here, by raising horses for Sweden´s army. The Strömsholm Riding School was a part of the Swedish Army from 1868 to 1968. Today, Strömsholm is used as a hippodrome, where equestrian competitions are held each year.
In 1985, the palace underwent major renovation of its facade. Over the years, the exterior had undergone various alterations, but the plasterwork as originally applied in the 1670s was largely intact. The roof was covered with tar shingles until the 19th century, when these were replaced with tin. The palace was restored in stages during the 1990s. The disposition of the rooms in the royal apartments was restored, and the 18th century furnishings were placed in the correct context. One of the most important features of the restoration was the reproduction of the 1760s wallpaper, the original of which was found in isolation on an attic beam in one of the houses on the estate. Old linen towels were transformed into royal wallpaper.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.