In 955, Almería gained the title of medina ('city') by the Caliph of Cordoba, Abd ar-Rahman III: construction of the defensive citadel, located in the upper sector of the city, began in this period. The alcazaba, provided not only with walls and towers but also with squares, houses and a mosque, was to be also the seat of the local government, commanding the city and the sea nearby.
The complex was enlarged under caliph Al-Mansur and, later, under Al-Jairan, first king of the independent taifa of Almería (1012–1028).
The first line of walls is a wide enclosure corresponding to the first Muslim military camp, used as shelter for the population in case of siege. For this task it was provided with large cisterns.
The first enclosure is separated by the second one by the so-called Muro de la Vela ('Wall of the Sail'), taking its name from a bell that warned the population in case of events such as the arrival of a ship in the port, danger, fires etc. This wall was built by King Charles III of Spain.
In the second enclosure was the residence for the governors, their soldiers and their servants. It included also the mosque, baths, tanks, tents etc.
The third enclosure, the most external, is also the most modern in the complex. After the Christian conquest of Almería, the Catholic monarchs Isabella I of Castile and Ferdinand II of Aragon had a castle built in the most elevated sector of the town, more apt to resist the new gunpowder artillery.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.