The Museum of Almería maintains the largest collection of archaeological remains in Almería. In 2006 the museum moved to a new building designed by Ignacio García Pedrosa and Ángela García de Paredes.
The permanent exhibition is located on the first and second floors of the building and they focus mainly on the hunters' and foragers' society. On the second floor, is a metal structure in the middle of the room called the Circle of Life. Surrounding it can be found materials that teach us about trade and war of the Millares society. There are also objects related to the daily life of the settlement. The Circle of Death display, with the support of a video projection, shadows and sound, demonstrates much about the collective use of the graves and the ritual sequence carried out with each new burial.
On the second floor is an interesting layout of consecutive walls progressing from the bottom to the top, with the intention of showing how the society lived on the hillsides through their terraced homes and landscapes, especially in Fuente-Álamo, Cuevas del Almanzora, Almería. The area includes small sub-rooms with glass cases containing big vessels, bronze weapons, silver and gold objects and ceramics among other remains.
On the third floor can be found a long term display which currently has a large collection of Roman and Andalusian pieces. Of note is the beautiful sculpture which is installed on a large fragment of mosaic. This is the god Bacchus, found in a Roman villa excavated in the town of Chirivel, in the northern part of Almería. In this room can also be found other objects related to the large Roman influence in the Iberian Peninsula, specifically in Almería. One can also appreciate here some Andalusian art which is represented by a large collection of Muslim tombstones, of which Almería was the leading production center. The big cube that occupies the center of the room holds cabinets inside which are dedicated to the caliphate and hold ceramics, toys, coins, and the like.
The Cloth Hall in Kraków dates to the Renaissance and is one of the city's most recognizable icons. It is the central feature of the main market square in the Kraków Old Town (listed as a UNESCO World Heritage Site since 1978).
The hall was once a major centre of international trade. Traveling merchants met there to discuss business and to barter. During its golden age in the 15th century, the hall was the source of a variety of exotic imports from the east – spices, silk, leather and wax – while Kraków itself exported textiles, lead, and salt from the Wieliczka Salt Mine.
Kraków was Poland's capital city and was among the largest cities in Europe already from before the time of the Renaissance. However, its decline started with the move of the capital to Warsaw in the very end of the 16th century. The city's decline was hastened by wars and politics leading to the Partitions of Poland at the end of the 18th century. By the time of the architectural restoration proposed for the cloth hall in 1870 under Austrian rule, much of the historic city center was decrepit. A change in political and economic fortunes for the Kingdom of Galicia and Lodomeria ushered in a revival due to newly established Legislative Assembly or Sejm of the Land. The successful renovation of the Cloth Hall, based on design by Tomasz Pryliński and supervised by Mayor Mikołaj Zyblikiewicz, Sejm Marshal, was one of the most notable achievements of this period.
The hall has hosted many distinguished guests over the centuries and is still used to entertain monarchs and dignitaries, such as Charles, Prince of Wales and Emperor Akihito of Japan, who was welcomed here in 2002. In the past, balls were held here, most notably after Prince Józef Poniatowski had briefly liberated the city from the Austrians in 1809. Aside from its history and cultural value, the hall still is still used as a center of commerce.
On the upper floor of the hall is the Sukiennice Museum division of the National Museum, Kraków. It holds the largest permanent exhibit of the 19th-century Polish painting and sculpture, in four grand exhibition halls arranged by historical period and the theme extending into an entire artistic epoch. The museum was upgraded in 2010 with new technical equipment, storerooms, service spaces as well as improved thematic layout for the display.
The Gallery of 19th-Century Polish Art was a major cultural venue from the moment it opened on October 7, 1879. It features late Baroque, Rococo, and Classicist 18th-century portraits and battle scenes by Polish and foreign pre-Romantics.