Almería cathedral was built in Gothic and Renaissance architectural styles from 1524 to 1562. Its last bell was built in 1805. It had a dual role: as a place of worship, but also to protect the citizens when pirates attacked the city of Almeria after the Reconquest.
After an earthquake destroyed the previous structure, the cathedral is constructed, like so many churches in Spain, on the site of a mosque. Largely late Gothic/Renaissance in style, the cathedral's defensive structure consists of largely plain walls (apart from the elaborate entrance, Puerta Principal) with small, high windows, all designed to be inviolable to the invasions by North African pirates, which continued for many years after the Moors were expelled from Spain. This is the country's only fortified cathedral dating from the 16th century.
With three naves and three chapels, the magnificent Gothic interior is on a typically grand scale, with ribbed ceiling and soaring arches, featuring Baroque and neo-classical details. The Capilla de la Piedad has some superb paintings - the Anunciacion by Alonso Cano and Murillo's Concepcion Inmaculada, while dog-lovers will enjoy the Capilla de Santo Cristo where the Bishop Villalan, who founded the cathedral, lies in state in his marble tomb, complete with his hound at his feet. The choir stalls, carved from walnut, and the Sacristia Mayor with its fine stone roof, windows and arches, are particularly impressive. The stalls and bishop's tomb are both by Juan de Orea.
The cathedral shows many typically defensive features such as ramparts and artillery loopholes - the four circular corner towers, which look like they belong more on a castle, once held cannons, which could hold off Moorish invaders.
Look out for the carving of a sun on the eastern wall, the Sol de Portocarrero, not a symbol typically seen on religious buildings, which is now used as the logo for Almeria province. The Renaissance north facade is an elaborate mid-16th century design, also by de Orea.
The broad pedestrianised plaza in front of the cathedral is very pleasant, with lofty palm trees and plenty of space to stroll, contemplate the basilica, and for children to run about.
References:The Château de Chantilly comprises two attached buildings: the Petit Château built around 1560 for Anne de Montmorency, and the Grand Château, which was destroyed during the French Revolution and rebuilt in the 1870s. Owned by the Institut de France, the château houses the Musée Condé. It is one of the finest art galleries in France and is open to the public.
The estate"s connection with the Montmorency family began in 1484. The first mansion (now replaced by the Grand Château) was built in 1528–1531 for the Constable Anne de Montmorency by Pierre Chambiges. The Petit Château was also built for him, around 1560, probably by Jean Bullant. In 1632, after the death of Henri II, it passed to the Grand Condé who inherited it through his mother, Charlotte Marguerite de Montmorency.
Several interesting pieces of history are associated with the château during the 17th century.