Almería cathedral was built in Gothic and Renaissance architectural styles from 1524 to 1562. Its last bell was built in 1805. It had a dual role: as a place of worship, but also to protect the citizens when pirates attacked the city of Almeria after the Reconquest.
After an earthquake destroyed the previous structure, the cathedral is constructed, like so many churches in Spain, on the site of a mosque. Largely late Gothic/Renaissance in style, the cathedral's defensive structure consists of largely plain walls (apart from the elaborate entrance, Puerta Principal) with small, high windows, all designed to be inviolable to the invasions by North African pirates, which continued for many years after the Moors were expelled from Spain. This is the country's only fortified cathedral dating from the 16th century.
With three naves and three chapels, the magnificent Gothic interior is on a typically grand scale, with ribbed ceiling and soaring arches, featuring Baroque and neo-classical details. The Capilla de la Piedad has some superb paintings - the Anunciacion by Alonso Cano and Murillo's Concepcion Inmaculada, while dog-lovers will enjoy the Capilla de Santo Cristo where the Bishop Villalan, who founded the cathedral, lies in state in his marble tomb, complete with his hound at his feet. The choir stalls, carved from walnut, and the Sacristia Mayor with its fine stone roof, windows and arches, are particularly impressive. The stalls and bishop's tomb are both by Juan de Orea.
The cathedral shows many typically defensive features such as ramparts and artillery loopholes - the four circular corner towers, which look like they belong more on a castle, once held cannons, which could hold off Moorish invaders.
Look out for the carving of a sun on the eastern wall, the Sol de Portocarrero, not a symbol typically seen on religious buildings, which is now used as the logo for Almeria province. The Renaissance north facade is an elaborate mid-16th century design, also by de Orea.
The broad pedestrianised plaza in front of the cathedral is very pleasant, with lofty palm trees and plenty of space to stroll, contemplate the basilica, and for children to run about.References:
The Palace of the Kings of Navarre of Olite was one of the seats of the Court of the Kingdom of Navarre, since the reign of Charles III 'the Noble' until its conquest by Castile (1512). The fortification is both castle and palace, although it was built more like a courtier building to fulfill a military function.
On an ancient Roman fortification was built during the reign of Sancho VII of Navarre (13th century) and extended by his successors Theobald I and Theobald II, which the latter was is installed in the palace in 1269 and there he signed the consent letter for the wedding of Blanche of Artois with his brother Henry I of Navarre, who in turn, Henry I since 1271 used the palace as a temporary residence. This ancient area is known as the Old Palace.
Then the palace was housing the Navarrese court from the 14th until 16th centuries, Since the annexation (integration) of the kingdom of Navarre for the Crown of Castile in 1512 began the decline of the castle and therefore its practically neglect and deterioration. At that time it was an official residence for the Viceroys of Navarre.
In 1813 Navarrese guerrilla fighter Espoz y Mina during the Napoleonic French Invasion burned the palace with the aim to French could not make forts in it, which almost brought in ruin. It is since 1937 when architects José and Javier Yarnoz Larrosa began the rehabilitation (except the non-damaged church) for the castle palace, giving it back its original appearance and see today. The restoration work was completed in 1967 and was paid by the Foral Government of Navarre.