In 955, Almería gained the title of medina ('city') by the Caliph of Cordoba, Abd ar-Rahman III: construction of the defensive citadel, located in the upper sector of the city, began in this period. The alcazaba, provided not only with walls and towers but also with squares, houses and a mosque, was to be also the seat of the local government, commanding the city and the sea nearby.
The complex was enlarged under caliph Al-Mansur and, later, under Al-Jairan, first king of the independent taifa of Almería (1012–1028).
The first line of walls is a wide enclosure corresponding to the first Muslim military camp, used as shelter for the population in case of siege. For this task it was provided with large cisterns.
The first enclosure is separated by the second one by the so-called Muro de la Vela ('Wall of the Sail'), taking its name from a bell that warned the population in case of events such as the arrival of a ship in the port, danger, fires etc. This wall was built by King Charles III of Spain.
In the second enclosure was the residence for the governors, their soldiers and their servants. It included also the mosque, baths, tanks, tents etc.
The third enclosure, the most external, is also the most modern in the complex. After the Christian conquest of Almería, the Catholic monarchs Isabella I of Castile and Ferdinand II of Aragon had a castle built in the most elevated sector of the town, more apt to resist the new gunpowder artillery.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.