Jerez de la Frontera Charterhouse, Jerez de la Frontera, Spain

The Charterhouse of Jerez de la Frontera architecture is of a Late Gothic style, corresponding to the start of construction in the 15th century, with Baroque aspects dating from the 17th century. The building, completed in the 17th century, has been designated by the Spanish government as an Historic-Artistic Monument.

The impulse behind the monastery dates back to Alvaro Obertos de Valeto, a knight of Genovese descent, appointed during the Reconquista by Alfonso X of Castile to defend the city shortly Alfonso had conquered it from Muslim rule in 1264. Lacking descendants, he left his fortune to establish a Carthusian monastery in the city. It was not until 1475 that this location near the Guadalete River was chosen, of special significance because in 1368 it has been the site of a victorious battle against invaders; the victory was attributed to intercession by the Virgin Mary, to whom a hermitage had been dedicated on the site, under the name Nuestra Señora de la Defensión ('Our Lady of the Defense'), which was adopted also for the monastery.

The Renaissance entryway, designed by Andrés de Ribera, is of particular interest, as are the Chapel of Santa María, and the small Gothic cloister designed by Juan Martínez Montañés. The choir stalls are by Juan de Oviedo de la Bandera (1565–1625); they were originally made for the Convento-Iglesia de la Merced in Sanlúcar de Barrameda and were transferred to the monastery in 1960. The paintings by Juan de la Roelas currently at the monastery also come from that church. Conversely, the Museo de Cádiz preserves numerous paintings by Francisco Zurbarán that were originally from the monastery.

Nowadays, the Sisters of Bethlehem, of the Assumption of the Virgin, and of Saint Bruno continue the long Roman Catholic monastic and spiritual tradition that had been carried on more than five centuries by the Carthusian fathers.

References:

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User Reviews

Surf Fuerteventura (11 months ago)
Beautiful stop, not run by the 'Cartujanos' any longer. Still can get ceramics, but not nearly the Cartujan quality of before. Hermanas de Belén run it now. It's a bit in disrepair due to lack of funds. Buy some pottery and help them out.

Mario Raven (14 months ago)
Amazing architecture and place! Spotted it off the road while driving towards Donana nature park and made a short stop there. Lovely place!

Creepunico Ramirez (16 months ago)
A beautiful place to enjoy.

Christian Young THE FAM!!!!! (19 months ago)
Wonderful place

Ricardo García López (2 years ago)
I recommend visiting the nuns for Vespers and Mass!

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Photo from Flickr, copyright Dan Lundberg

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Hagios Demetrios

The Church of Saint Demetrius, or Hagios Demetrios, is the main sanctuary dedicated to Saint Demetrius, the patron saint of Thessaloniki. It is part of the site Palaeochristian and Byzantine Monuments of Thessaloniki on the list of World Heritage Sites by UNESCO since 1988.

The first church on the spot was constructed in the early 4th century AD, replacing a Roman bath. A century later, a prefect named Leontios replaced the small oratory with a larger, three-aisled basilica. Repeatedly gutted by fires, the church eventually was reconstructed as a five-aisled basilica in 629–634. This was the surviving form of the church much as it is today. The most important shrine in the city, it was probably larger than the local cathedral. The historic location of the latter is now unknown.

The church had an unusual shrine called the ciborium, a hexagonal, roofed structure at one side of the nave. It was made of or covered with silver. The structure had doors and inside was a couch or bed. Unusually, it did not hold any physical relics of the saint. The ciborium seems to have been a symbolic tomb. It was rebuilt at least once.

The basilica is famous for six extant mosaic panels, dated to the period between the latest reconstruction and the inauguration of the Byzantine Iconoclasm in 730. These mosaics depict St. Demetrius with officials responsible for the restoration of the church (called the founders, ktetors) and with children. An inscription below one of the images glorifies heaven for saving the people of Thessalonica from a pagan Slavic raid in 615.

Thessaloniki became part of the Ottoman Empire in 1430. About 60 years later, during the reign of Bayezid II, the church was converted into a mosque, known as the Kasımiye Camii after the local Ottoman mayor, Cezeri Kasım Pasha. The symbolic tomb however was kept open for Christian veneration. Other magnificent mosaics, recorded as covering the church interior, were lost either during the four centuries when it functioned as a mosque (1493–1912) or in the Great Thessaloniki Fire of 1917 that destroyed much of the city. It also destroyed the roof and upper walls of the church. Black-and-white photographs and good watercolour versions give an idea of the early Byzantine craftsmanship lost during the fire.

Following the Great Fire of 1917, it took decades to restore the church. Tombstones from the city"s Jewish cemetery - destroyed by the Greek and Nazi German authorities - were used as building materials in these restoration efforts in the 1940s. Archeological excavations conducted in the 1930s and 1940s revealed interesting artifacts that may be seen in a museum situated inside the church"s crypt. The excavations also uncovered the ruins of a Roman bath, where St. Demetrius was said to have been held prisoner and executed. A Roman well was also discovered. Scholars believe this is where soldiers dropped the body of St. Demetrius after his execution. After restoration, the church was reconsecrated in 1949.

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