Triora is a picturesque village in a lovely setting of wooded valleys well into the Ligurian hills of north-west Italy. Triora is officially classified among the most beautiful villages in Italy.
The centuries-old village of Triora is at the foot of the Trono Mountain, overlooking the Argentina valley, where it preserves almost intact its medieval appearance. In the heart of the village you will enjoy exploring the ancient alleys, arched passages and steep pathways of what is claimed to be one of the oldest villages in Liguria.
Triora was strongly marked by the events arising from the witchcraft trial that involved many women of the village. In the small town center the Ethnographic Museum of Witchcraft has been set up to reconstruct the ancient rural life and the records of the famous trial of 1588, still much discussed by writers and critics, and immortalizing the memory of an event that has been likened in importance to the famous Salem witch trials.
The Collegiate Church of Triora, dating from the 16th century, was extensively renovated in the late18th century. Inside there are remarkable works of art, among which a painting on wood by the Sienese painter Taddeo di Bartolo (1362-1422) stands out - he was active in Liguria towards the end of the 14th century, and in 1397 painted a grand picture of “The Baptism of Christ' for the Collegiate Church.
Close to the Parish Church is the Chapel of Saint John the Baptist. In this small chapel there are sculptures by Anton Maria Maragliano (1664-1741), the creator of a beautiful wooden crucifix, and other works by Taddeo di Bartolo. Anton Maria Maragliano enjoyed wide respect and esteem by eminent men of his time.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.