The Oświęcim Chapel, dedicated to the Blessed Virgin Mary and St. Stanislaus of Szczepanów, is an extension to the Gothic Franciscan Church in Krosno. Founded in 1647–1648 by a prominent representative of the Oświęcim family, it is also commonly known as the 'Chapel of Love'. Associated with the romantic legend of Stanisław Oświęcim's love for his sister Anna, the building is one of the finest artistic achievements of its era. It represents a type of early Baroque burial chapel built on a square plan, with a dome topped by a lantern inspired by the early Renaissance Sigismund's Chapel.
The designer of the chapel was Vincenzo Petroni from Milan. The rich stucco decoration was the work of the most outstanding stucco decorator of 17th-century Poland, Govanni Battista Falconi. The chapel was built on a square plan, with a dome topped by a lantern. At the entrance, there is a richly carved marble portal and a decorative grille.
The elaborate floral designs are enriched with winged putti. The decoration of the interior is not typically religious as it glorifies the founding family. The coat of arms and military insignia invoke the Oświęcims' noble traditions.
The main furnishing is the altar from 1890 (a faithful copy of a mid-17th century original) with ornaments, woodcuts and paintings dating from the chapel's foundation. The central painting depicts St. Stanislaus resurrecting the deceased knight Piotr with Stanisław and Anna in the background.
The entrance to the crypt beneath the chapel is covered with large boards. The two coffins along the wall contain the remains of Stanisław's father and uncle. Four others were placed in small niches, the smallest coffin indicating the deceased was a child. The centre of the crypt houses the coffins of Anna and Stanisław.References:
The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne"s court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.