Sobrado Abbey was founded in 952 by Count Hermenegildo Alóitez and his wife Paterna. In 958, the founders transferred the county of Présaras to the monastery and, in that same year, Hermenegildo retired there where he lived as a monk the rest of his life and where he was buried. The abbey was inherited by his descendants and nearly two centuries later, in January 1142, the brothers Fernando and Bermudo Pérez, two of the most distinguished members of the House of Traba, handed it over to the Cistercian monks from Clairvaux.
The abbey flourished during the 12th and 13th centuries and was able to undertake the foundations of its own daughter house, Valdedios Abbey in Asturias. Sobrado was also given the supervision of Monfero Abbey after it joined the Cistercian Order.
After a period of decline, in 1498 Sobrado was the first abbey in Galicia to join the Castilian Cistercian Congregation.
The monumental new Baroque abbey church was dedicated in 1708. Most of the conventual buildings were also rebuilt at this time. The dissolution of the monasteries enforced by the government of Mendizábal in 1835 put an end to the abbey, and the abandoned buildings fell into decay.
In 1954 the Cistercian monks of Viaceli Abbey in Cóbreces, west of Santander, began reconstruction, having already refounded and restored Huerta Abbey in 1929, and were able to resettle the monastery with a new community in 1966.
The present abbey church, now roofed with a number of domes and cupolas, was built at the end of the 17th century, although the Magdalene Chapel (Capela da Madalena or Capilla de la Magdalena) dates from the 14th century. The sacristy was built by Juan de Herrera. The monastery has three cloisters. The kitchen and the chapter house remain of the medieval monastic buildings.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.