Saint Mary's Cathedral in Lugo was erected in the early 12th century in a Romanesque style, with Gothic, Baroque and Neoclassicist elements.
A church existed in the site from 755. In 1129 Bishop Peter III commissioned a new edifice in the latest architectural style from Raimundo, a local architect and builder. This Romanesque structure was completed in 1273.
Later renovations and restorations added elements in other styles, such as the Renaissance retablo at the high altar. It was destroyed in the 1755 Lisbon earthquake and fragments of it are housed in the church.
The cathedral has a Latin Cross structure, with a length of 85 m. It has a nave, covered by a barrel vault, and two aisles, with an ambulatory and five apse chapels. The triforium features triple ogival mullioned windows. The apse houses a calvary sculpture from an unknown date.
The façade is a Renaissance design by Julián Sánchez Bort inspired by a plan proposed by Ventura Rodríguez for the Cathedral of Pamplona. Its construction was finished in the late 19th century, with the completion of the two side towers.
The northern entrance's narthex is in Gothic style, dating to 1510-1530. Internally showing a starred vault, it is formed by three archivolts with a lintel showing Christ Pantocrator and with a pinjante (glove-shaped decorative pendant) that features a depiction of the Last Supper.
To the right of the entrance is the Gothic Torre Vella (bell tower), surmounted by a Renaissance top floor finished by Gaspar de Arce in 1580. The sacristy (1678) and the cloister (1714) are in the Baroque style, as is the central chapel of the triforium (1726). The chapel of St. Froilán is in Renaissance style, dating to the 17th century. Notable is the choir, built by Francisco de Moure (early 17th century).
References:Linderhof is the smallest of the three palaces built by King Ludwig II of Bavaria and the only one which he lived to see completed.
Ludwig II, who was crowned king in 1864, began his building activities in 1867-1868 by redesigning his rooms in the Munich Residenz and laying the foundation stone of Neuschwanstein Castle. In 1868 he was already making his first plans for Linderhof. However, neither the palace modelled on Versailles that was to be sited on the floor of the valley nor the large Byzantine palace envisaged by Ludwig II were ever built.
Instead, the new building developed around the forester's house belonging to his father Maximilian II, which was located in the open space in front of the present palace and was used by the king when crown prince on hunting expeditions with his father.