Saint Mary's Cathedral in Lugo was erected in the early 12th century in a Romanesque style, with Gothic, Baroque and Neoclassicist elements.
A church existed in the site from 755. In 1129 Bishop Peter III commissioned a new edifice in the latest architectural style from Raimundo, a local architect and builder. This Romanesque structure was completed in 1273.
Later renovations and restorations added elements in other styles, such as the Renaissance retablo at the high altar. It was destroyed in the 1755 Lisbon earthquake and fragments of it are housed in the church.
The cathedral has a Latin Cross structure, with a length of 85 m. It has a nave, covered by a barrel vault, and two aisles, with an ambulatory and five apse chapels. The triforium features triple ogival mullioned windows. The apse houses a calvary sculpture from an unknown date.
The façade is a Renaissance design by Julián Sánchez Bort inspired by a plan proposed by Ventura Rodríguez for the Cathedral of Pamplona. Its construction was finished in the late 19th century, with the completion of the two side towers.
The northern entrance's narthex is in Gothic style, dating to 1510-1530. Internally showing a starred vault, it is formed by three archivolts with a lintel showing Christ Pantocrator and with a pinjante (glove-shaped decorative pendant) that features a depiction of the Last Supper.
To the right of the entrance is the Gothic Torre Vella (bell tower), surmounted by a Renaissance top floor finished by Gaspar de Arce in 1580. The sacristy (1678) and the cloister (1714) are in the Baroque style, as is the central chapel of the triforium (1726). The chapel of St. Froilán is in Renaissance style, dating to the 17th century. Notable is the choir, built by Francisco de Moure (early 17th century).
References:The Gravensteen is a castle in Ghent originating from the Middle Ages. The name means 'castle of the counts' in Dutch. Arnulf I (918–965), Count of Flanders, was the first to fortify this place, building a medieval bastion on this high sand dune, naturally protected by the river Leie and its marshy banks. This bastion consisted of a central wooden building and several surrounding buildings, also in wood.
In the early 11th century, the wooden building was replaced by a stone residence, consisting of three large halls that made up three storeys, connected by a stone stairwell. The monumental stone staircase, the light openings, the fireplaces built into the walls and the latrines were signs of considerable luxury and comfort in those days. There was probably also a tower.