Cathedrals in Czech Republic
St. Nicholas Cathedral
The Cathedral of St Nicholas is a Roman Catholic cathedral located in České Budějovice. The foundation stone of the parish church was laid around 1265, shortly after the founding of the city. The church of St Nicholas was consecrated in 1297, although it was still incomplete at the time. The completion of the main building probably occurred sometime around the mid 14th century. The original Gothic church ...St. Vitus Cathedral
The Metropolitan Cathedral of Saints Vitus, Wenceslaus and Adalbert is the seat of the Archbishop of Prague. Up to 1997, the cathedral was dedicated only to Saint Vitus, and is still commonly named only as St. Vitus Cathedral. This cathedral is an excellent example of Gothic architecture and is the biggest and most important church in Czech Republic. Located within Prague Castle and containing the tombs of many Bohemian ...St. Bartholomew Cathedral
The cathedral of St. Bartholomew is a Gothic church located on the Main Square in Plzeň. It was probably established together with the city around the year 1295. The church became a cathedral in 1993, when the Pilsner diocese was created. The exact date of the start of its construction is not known, but the oldest extant allusion comes from the year 1307, when the townsman Wolfram Zwinillinger bequeathed the malt an ...Cathedral of St. Peter and Paul
The Cathedral of St. Peter and Paul is one of the dominating features of the city of Brno. The origins of the church on Petrov dates back to the 1170s. In the Gothic period the church was rebuilt several times. In one of the reconstructions, around 1500, the original consecration to St. Peter was added to by the consecration to St. Paul. In 1296 a collegiate chapter was established at the church. During the Thirty Years&r ...St. Wenceslas Cathedral
Saint Wenceslas Cathedral is a neo-gothic cathedral in Olomouc. The square was named after Saint Wenceslaus I, Duke of Bohemia on the thousandth anniversary of his death in 1935. The cathedral is also named after him. The cathedral began in the Romanesque style and was consecrated in 1131. Extensive Gothic modifications were made in 13th and 14th century. Czech king Wenceslaus III of Bohemia was murdered in a nearby hous ...St. Stephen's Cathedral
The St. Stephen's Cathedral is one of the most important cultural sites in the city. It is protected as a cultural monument of the Czech Republic. Located on a hill in the place of an older church (originally a basilica) The temple was built in Romanesque style in 1057 and rebuilt in the 14th century in the Gothic style. In the presbytery is a large altar dedicated to St. Stephen, patron of the cathedral. In the ...Cathedral of the Divine Saviour
Cathedral of the Divine Saviour, located in the center of Ostrava, is the second largest Roman Catholic cathedral in Moravia and Silesia. This three-nave Neo-Renaissance basilica with a semi-circular apse and two 67m high towers dates from 1889 (building started in 1883). The church was designed by Gustav Meretta, the official architect of the Archbishop of Olomouc, and the interior by Max von Ferstel. The main nave is 1 ...Featured Historic Landmarks, Sites & Buildings
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Royal Palace of Aranjuez
Palacio Real de Aranjuez is a former Spanish royal residence. It was established around the time Philip II of Spain moved the capital from Toledo to Madrid. Aranjuez became one of four seasonal seats of government, occupied during the springtime (from about holy week). Thereafter, the court moved successively to Rascafría, El Escorial and wintered in Madrid. Aranjuez Cultural Landscape is an UNESCO World Heritage Site.
After the Christian conquest, Aranjuez was owned by the Order of Santiago and a palace was built for its Grand Masters where the Royal Palace stands today. When the Catholic Monarchs assumed the office of Grand Master of the Order of Santiago, Aranjuez became part of the Royal estate. This fertile land, located between the Tajo and Jarama Rivers, was converted into the Spanish monarchy's most lavish country retreat: during Spain's Golden Age, Aranjuez became a symbol for the perfection of nature by mortal hands, as El Escorial was for art.
Such excellence was based on strong Renaissance foundations, as Charles V envisaged this inherited estate as a large Italian-inspired villa, a desire continued by Philip II who appointed Juan Bautista de Toledo to design leafy avenues that ran through the gardens and farming land. A series of dams was constructed in the 16th century to control the course of the Tajo River and create a network of irrigation canals.
The splendour of the estate was only enhanced by the Bourbon monarchs, who would spend the whole spring, from Easter to July, at the Palace. Phillip V added new gardens and Ferdinand VI designed a new system of tree-lined streets and created a small village within the estate, which was further developed by Charles III and Charles IV. As Ferdinand VII and Isabella II continued to visit Aranjuez during the spring, the splendour of this site was maintained until 1870.
The Royal Palace, built by Phillip II on the site of the old palace of the Grand Masters of Santiago, was designed by the architect Juan Bautista de Toledo –under whom construction began in 1564– and later Juan Herrera, who only managed to finish half the project. Although glimpses of the original layout still remain, the building itself is more characteristic of the classicism favoured by the Hapsburg monarchs, with alternating white stone and brick. The original design was continued by Phillip V in 1715 but not finished until 1752 under Ferdinand VI. The rectangular layout that Juan Bautista de Toledo had planned, and that took two centuries to complete, was only maintained for 20 years, since in 1775 Charles III added two wings onto the Palace.
Real Casa del Labrador
As the Prince of Asturias, Charles IV was a frequent visitor to the pier pavilions built by Ferdinand VI and grew up playing in the Prince’s Garden. When he became King, he decided to build a new country house at the far end of these gardens, known as the Casa del Labrador (the labourer's house) due to its modest exterior that was designed to heavily contrast the magnificent internal decor. It was built by chief architect Juan de Villanueva and his pupil Isidro González Velázquez, who designed some of the interior spaces. These rooms, developed in various stages until 1808, are the greatest example of the lavish interior decor favoured by this monarch in his palaces and country retreats. Highlights at this Site include the combination of different types of art and the luxurious textiles, in particular the silks from Lyon, as well as wealth of original works on the main floor, where Ferdinand VII added various paintings and landscapes by Brambilla.
King's Garden, the Island Garden, Parterre Garden and the Prince's Garden
Phillip II, a great lover of gardens, paid special attention to this feature of the Aranjuez Palace: during his reign, he maintained both the Island Garden, designed by the architect Juan Bautista de Toledo, and the King's Garden, immediately adjacent to the Palace and whose current layout was designed by Philip IV. The majority of the fountains on this island were commissioned by Phillip IV, while the Bourbons added other features such as the Charles III benches.
Phillip V made two French-style additions to the existing gardens: the Parterre Garden in front of the palace and the extension at the far end of the Island Garden, known as the Little Island, where he installed the Tritons Fountain that was later moved to the Campo del Moro park by Isabella II.
The Prince's Garden owes its name and creation to the son and heir of Charles III who, in the 1770s, began to use Ferdinand VI's old pier for his own enjoyment. He also created a landscaped garden in the Anglo-French style that was in fashion at the time and which was directly influenced by Marie Antoinette's gardens at the Petit Trianon. Both Juan de Villanueva and Pablo Boutelou collaborated in the design of this garden.