Industrial sites in Belgium

Grand-Hornu

Grand-Hornu is an old industrial mining complex in Hornu in the municipality of Boussu. It was built by Henri De Gorge between 1810 and 1830. It is a unique example of functional town-planning. Today it is owned by the province of Hainaut, which houses temporary exhibitions in the buildings. As one of four Major Mining Sites of Wallonia, UNESCO designated it a World Heritage Site in 2012
Founded: 1810-1830 | Location: Boussu, Belgium

Bois du Cazier

The Bois du Cazier was coal mine in Marcinelle, Charleroi. It was the scene of a mining disaster on 8 August 1956, when 263 men including 136 migrant Italian labourers lost their lives. The site today hosts a woodland park, memorial to the miners, the pit head, an industry museum and a glass museum. The museum is an Anchor point on the European Route of Industrial Heritage. A concession to mine was given by royal decree ...
Founded: 1822 | Location: Charleroi, Belgium

Blegny-Mine

Blegny-Mine is one of the four major coal mines in Wallonia, a recognised UNESCO world heritage site. It is an authentic coal mine with underground galleries accessible for the visitors through the original shaft. In Blegny, the coalworking started in the 16th century under the impulse of the Monks of Val-Dieu, owners of the coal area. The first granting, Trembleur, was allowed to Gaspar Corbesier in 1799. This marked th ...
Founded: 1799 | Location: Blégny, Belgium

Bois-du-Luc

A UNESCO World Heritage Site, the Bois-du-Luc mine site is an exceptional testimony to the Industrial Era. This fully-preserved, authentic heritage offers an eloquent illustration of the impact of industrialisation on a technical, environmental, architectural and social level. The site relates the exceptionally long story of a mining company founded in 1685, that closed its doors in 1973. The Fosse Saint-Emmanuel pit ope ...
Founded: 1685 | Location: La Louvière, Belgium

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Mosque–Cathedral of Córdoba

The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.

According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.

In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.

The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.

Architecture

The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.

In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.

The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.