The Bois du Cazier was coal mine in Marcinelle, Charleroi. It was the scene of a mining disaster on 8 August 1956, when 263 men including 136 migrant Italian labourers lost their lives. The site today hosts a woodland park, memorial to the miners, the pit head, an industry museum and a glass museum. The museum is an Anchor point on the European Route of Industrial Heritage.
A concession to mine was given by royal decree on 30 September 1822. A transcription error caused the name of the site to be changed from Bois de Cazier. There were two shafts reaching 765 et 1035 mètres. A third shaft, 'Foraky', was being dug in 1956. At that time (1955), annual production was 170,557 tonnes for a total of 779 workers, many of whom were not Belgian but migrant workers principally from Italy. On the 8 August 1956, a fire destroyed the mine. Full production resumed the following year. The company was liquidated in January 1961, and the mine closed in December 1967.
There is a memorial wall to the disaster and a museum of mining and heavy industry. A workshop explains the art of metal forging. Around the two puits (shafts) the site has been landscaped- allowing views from the slag heaps over Charleroi.
Bois du Cazier is one of coal mines described as UNESCO World Heritage Site of Major Mining Sites of Wallonia.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.