Most beautiful castles in Switzerland
Burgdorf Castle
During the High Middle Ages the land that would become Burgdorf was owned by the Kingdom of Burgundy and then after 1080 by the Dukes of Zähringen. Either the kings or the dukes built a castle on the left bank of the Emme river, this castle was first mentioned in 1080. Under Duke Berthold V, in 1200, Burgdorf Castle was expanded. The old castle consisted of a gatehouse and attached wall. Berthold V added a tower, donjon ...Willdegg Castle
Willdegg castle in the midst of gardens, meadows and vineyards was founded in the first half of the 13th century by the Habsburgs. For eleven generations Wildegg Castle was owned by the Effinger family. During that time the castle was expanded several times. The gardens in their seasonal change are an oasis of calm and an invitation to stroll, smell and marvel. The site consists of a well-preserved 13th-century keep and ...Neu-Falkenstein Castle
Neu-Falkenstein Castle in Balsthal was probably built in the early 12th century by local noble family. In 1356 it was damaged by earthquake and during restoration got a new appearance. This is why the castle is called 'new' Falkenstein. The castle was destroyed in 1798 by local peasants during the Helvetic Revolution. Today the impressive ruins are restored.Bottmingen Castle
Dating from the 13th century, Bottmingen castle is one of the few such buildings in Switzerland that are still intact. The first recorded mention dates from 1363, when it was owned by the Kämmerer family. These aristocratic servants to the Bishops of Basel are thought to have built the castle. In 1720, Johannes Deucher transformed the castle into an early-Baroque country manor in the French style. Although this structure ...Vufflens Castle
Vufflens castle was built in 1425 on the site of a previous medieval castle by Henri de Colombier. It is the most significant example of a small group of fortified Romandy castles from the middle ages, characterised above all by its brick construction. In 1530, it was set on fire by Bernese troops. In 1641 it was acquired by the de Senarclens family. The castle is currently privately owned and cannot be visited. A plea ...Tarasp Castle
Tarasp Castle was probably built in the 11th century or possibly as early as the 10th century. The name comes from terra aspera or wild earth, which may refer to the newly lands in the Inn river valley. They had adopted the name of the castle by 1089 when Ulrich von Tarasp was mentioned in a papal mandate to the Bishop of Chur. Around the same time the family founded Scuol Monastery, which later moved to Marienberg Abbey ...Porrentruy Castle
Construction of the Porrentruy castle took place between the mid-13th century and the beginning of the 18th century. The oldest part is the thirteenth century Réfous Tower. 14th century ramparts survive on the western and northern sides. During the reign of Prince-Bishop Jacob-Christoph Blarer of Wartensee, the castle underwent an extensive period of reconstruction by the architect Nicolas Frick around 1588. In 1697, it ...Habsburg Castle
Habsburg Castle near the Aare River was the original seat of the House of Habsburg, which became one of the leading imperial and royal dynasties in Europe. At the time of its construction, the location was part of the Duchy of Swabia. Around 1020–1030 Count Radbot, of the nearby county of Klettgau in the Duchy of Swabia, had the castle erected. It is believed that he named the castle after a hawk (Habicht ...Oron Castle
Oron Castle was built in the 13th century. It was totally rebuilt in second half of the 15th century and renovated several times in the 17th century. In 1801 it was acquired the Roberti family of Moudon, and in 1870 it was bought by Adolphe Gaiffe. Beginning in 1880, a library was built in the castle. Today it houses 17,000 volumes and is one of the largest private collections of French novelists of the 18th Century in E ...Lucens Castle
Lucens Castle"s strategic location allowed it to control the Broye valley, which was an important transit corridor. Starting in the Middle Ages and until 1536 it was a residence of the Bishop of Lausanne and served to control the Bishop"s land in the Broye valley. During the 12th century, the castle was repeatedly destroyed and rebuilt. In 1476, it was destroyed by the Swiss Confederation. In 1536 the val ...Aarburg Castle
Aarburg Castle is located high above the town Aarburg on a steep, rocky hillside. The castle was built around a medieval castle, which controlled the narrow point on the Aare river and served as the seat of Aarburg Vogt. Today it houses the Kantonale Jugendheim, for holding and rehabilitating juvenile offenders. The exact year of construction of the castle is not known. However, it was probably built around 1200 b ...Blonay Castle
Blonay Castle was built around 1175 to the site of fortified building dating from the 11th century. It was built by the Blonay noble family, vassals of Counts of Savoy. The castle was in their hands until 1752 when it was sold to Graffenried family who still owns it.Champvent Castle
Situated on a hill overlooking the valley of Thiele, the Champvent castle of is on of the best preserved medieval castles in Vaud canton. It was probably built around 1250 by Henri de Grandson. His family occupied the castle until 1336. The castle and the lordship then passed in Burgundy until 1476 when it was burned after the Battle of Grandson (in Burgundian Wars). Champvent castle was rebuilt after 1536 and beca ...Featured Historic Landmarks, Sites & Buildings
Historic Site of the week
Quimper Cathedral
From 1239, Raynaud, the Bishop of Quimper, decided on the building of a new chancel destined to replace that of the Romanesque era. He therefore started, in the far west, the construction of a great Gothic cathedral which would inspire cathedral reconstructions in the Ile de France and would in turn become a place of experimentation from where would later appear ideas adopted by the whole of lower Brittany. The date of 1239 marks the Bishop’s decision and does not imply an immediate start to construction. Observation of the pillar profiles, their bases, the canopies, the fitting of the ribbed vaults of the ambulatory or the alignment of the bays leads us to believe, however, that the construction was spread out over time.
The four circular pillars mark the start of the building site, but the four following adopt a lozenge-shaped layout which could indicate a change of project manager. The clumsiness of the vaulted archways of the north ambulatory, the start of the ribbed vaults at the height of the south ambulatory or the choice of the vaults descending in spoke-form from the semi-circle which allows the connection of the axis chapel to the choir – despite the manifest problems of alignment – conveys the hesitancy and diverse influences in the first phase of works which spread out until the start of the 14th century.
At the same time as this facade was built (to which were added the north and south gates) the building of the nave started in the east and would finish by 1460. The nave is made up of six bays with one at the level of the facade towers and flanked by double aisles – one wide and one narrow (split into side chapels) – in an extension of the choir arrangements.
The choir presents four right-hand bays with ambulatory and side chapels. It is extended towards the east of 3-sided chevet which opens onto a semi-circle composed of five chapels and an apsidal chapel of two bays and a flat chevet consecrated to Our Lady.
The three-level elevation with arches, triforium and galleries seems more uniform and expresses anglo-Norman influence in the thickness of the walls (Norman passageway at the gallery level) or the decorative style (heavy mouldings, decorative frieze under the triforium). This building site would have to have been overseen in one shot. Undoubtedly interrupted by the war of Succession (1341-1364) it draws to a close with the building of the lierne vaults (1410) and the fitting of stained-glass windows. Bishop Bertrand de Rosmadec and Duke Jean V, whose coat of arms would decorate these vaults, finished the chancel before starting on the building of the facade and the nave.
Isolated from its environment in the 19th century, the cathedral was – on the contrary – originally very linked to its surroundings. Its site and the orientation of the facade determined traffic flow in the town. Its positioning close to the south walls resulted in particuliarities such as the transfer of the side gates on to the north and south facades of the towers: the southern portal of Saint Catherine served the bishop’s gate and the hospital located on the left bank (the current Préfecture) and the north gate was the baptismal porch – a true parish porch with its benches and alcoves for the Apostles’ statues turned towards the town, completed by an ossuary (1514).
The west porch finds its natural place between the two towers. The entire aesthetic of these three gates springs from the Flamboyant era: trefoil, curly kale, finials, large gables which cut into the mouldings and balustrades. Pinnacles and recesses embellish the buttresses whilst an entire bestiary appears: monsters, dogs, mysterious figures, gargoyles, and with them a whole imaginary world promoting a religious and political programme. Even though most of the saints statues have disappeared an armorial survives which makes the doors of the cathedral one of the most beautiful heraldic pages imaginable: ducal ermine, the Montfort lion, Duchess Jeanne of France’s coat of arms side by side with the arms of the Cornouaille barons with their helmets and crests. One can imagine the impact of this sculpted decor with the colour and gilding which originally completed it.
At the start of the 16th century the construction of the spires was being prepared when building was interrupted, undoubtedly for financial reasons. Small conical roofs were therefore placed on top of the towers. The following centuries were essentially devoted to putting furnishings in place (funeral monuments, altars, statues, organs, pulpit). Note the fire which destroyed the spire of the transept cross in 1620 as well as the ransacking of the cathedral in 1793 when nearly all the furnishings disappeared in a « bonfire of the saints ».
The 19th century would therefore inherit an almost finished but mutilated building and would devote itself to its renovation according to the tastes and theories of the day.