Habsburg Castle near the Aare River was the original seat of the House of Habsburg, which became one of the leading imperial and royal dynasties in Europe. At the time of its construction, the location was part of the Duchy of Swabia.
Around 1020–1030 Count Radbot, of the nearby county of Klettgau in the Duchy of Swabia, had the castle erected. It is believed that he named the castle after a hawk (Habicht) seen sitting on its walls. Radbot's grandson, Otto II, was the first to take the Habsburg Castle name as his own, adding 'von Habsburg' to his title and creating the House of Habsburg.
Habsburg Castle's importance diminished after Radbot's seventh generation descendant Rudolph moved the family's power base to Austria in 1276. Habsburg Castle remained property of the House of Habsburg until 1415, when Duke Frederick IV of Austria lost the canton of Aargau to the Swiss Confederacy.
The original coat of arms to fly over Habsburg Castle, a red lion on a golden field, remained part of the Austrian arms up to the end of the imperial period. The modern arms of the municipality of Habsburg, Switzerland, depict Habsburg Castle.
The area around the castle was covered by forests that were only cleared around 1500, nearly half a millennium after Habsburg Castle was first constructed.
Today the large and small towers of the original castle are preserved, attached to a residential building of the 13th century, while large parts of the complex lie in ruins. The extent of its eastern part is recognizable only by foundation walls. The palatial residence hosts a restaurant and a small exhibition.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.