Soviet occupation memorials in Estonia

Museum of Occupations

The Museum of Occupations was opened on July 1, 2003, and is dedicated to the 1940-1991 period in the history of Estonia, when the country was occupied by the Soviet Union, then Nazi Germany, and then again by the Soviet Union. During most of this time the country was known as the Estonian Soviet Socialist Republic.
Founded: 2003 | Location: Tallinn, Estonia

Tallinn Song Festival Grounds

The Tallinn Song Stage (Lauluväljak) was built in 1959 for the Estonian Song Festival. The stage was meant to hold over 15,000 singers but it’s also possible to use it the other way – the performance will take place in front of the stage and audience is sitting on the stage. The stage was the main places of the Estonian revolution and new independence in 1988-1991. Estonians gathered there to sing patrio ...
Founded: 1959 | Location: Tallinn, Estonia

Patarei Prison

In 1828 Nicholas I of Russia mandated the building of the sea fortress of Patarei. Completed in 1840, it is located on area of 4 hectares (10 acres). Over the years it has had different functions. Since 1867 Patarei functioned as barracks and in 1920 it was moved as a prison. It housed inmates until 2004, and has been left virtually untouched since. Visitors can explore the hallways to see cells, work areas, exercise yard ...
Founded: 1828-1840 | Location: Tallinn, Estonia

KGB Cells Museum

During the 47 years of Soviet occupation in Estonia approximately 122,000 people fell victims to different repressions from the security organs and more than 30,000 of them lost their life. The South Centre of Soviet security service NKVD and later KGB was located in Tartu, in the so-called gray house. The dungeon was located in the basement and cells have been restored to the original appearance as part of the museum's ...
Founded: 2001 | Location: Tartu, Estonia

Soviet Submarine Training Centre

The secret submarine base and training centre was built to Paldiski under the order of Soviet Union between 1965-1968. The huge building complex had two nuclear submarines built on dry land. Soviet soldiers left from Paldiski in 1994 year later the decommissioned reactors were removed. The reactors functioned continuously from the early 1970s until 1989. Today most of training centre buildings are abandoned and ruined.
Founded: 1965-1968 | Location: Paldiski, Estonia

Pilistvere Stones

Pilistvere memorial looks like a burial ground covered with piled stones, with a wooden cross at the head. Since 1988 Estonian people have brought there stones to remind of their relatives who were deported to Siberia and prison camps during the Soviet occupation.
Founded: 1988 | Location: Kõo, Estonia

Risti Monument for the Deported

Risti railway station was the place where most people from Läänemaa – almost 3000 people – were deported to Siberia. The monument designed by Viljar Ansko “The railway rails remember…” has been placed on a small abandoned platform with stone stairs on both sides. Four rails reach for the sky in the four corners of the platform. The rails are joined into a cross with two horizonta ...
Founded: | Location: Risti, Estonia

Dejevo Military Base

Dejevo village was established during the Soviet era. There were several missile bases and garrisons around the village. After soldiers left and missiles were hauled away, the village was totally abandoned. In 2011 most of the brick and concrete buildings on the surface were demolished.
Founded: 1940-1991 | Location: Saaremaa, Estonia

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Royal Palace of Aranjuez

Palacio Real de Aranjuez is a former Spanish royal residence. It was established around the time Philip II of Spain moved the capital from Toledo to Madrid. Aranjuez became one of four seasonal seats of government, occupied during the springtime (from about holy week). Thereafter, the court moved successively to Rascafría, El Escorial and wintered in Madrid. Aranjuez Cultural Landscape is an UNESCO World Heritage Site.

After the Christian conquest, Aranjuez was owned by the Order of Santiago and a palace was built for its Grand Masters where the Royal Palace stands today. When the Catholic Monarchs assumed the office of Grand Master of the Order of Santiago, Aranjuez became part of the Royal estate. This fertile land, located between the Tajo and Jarama Rivers, was converted into the Spanish monarchy's most lavish country retreat: during Spain's Golden Age, Aranjuez became a symbol for the perfection of nature by mortal hands, as El Escorial was for art.

Such excellence was based on strong Renaissance foundations, as Charles V envisaged this inherited estate as a large Italian-inspired villa, a desire continued by Philip II who appointed Juan Bautista de Toledo to design leafy avenues that ran through the gardens and farming land. A series of dams was constructed in the 16th century to control the course of the Tajo River and create a network of irrigation canals.

The splendour of the estate was only enhanced by the Bourbon monarchs, who would spend the whole spring, from Easter to July, at the Palace. Phillip V added new gardens and Ferdinand VI designed a new system of tree-lined streets and created a small village within the estate, which was further developed by Charles III and Charles IV. As Ferdinand VII and Isabella II continued to visit Aranjuez during the spring, the splendour of this site was maintained until 1870.

The Royal Palace, built by Phillip II on the site of the old palace of the Grand Masters of Santiago, was designed by the architect Juan Bautista de Toledo –under whom construction began in 1564– and later Juan Herrera, who only managed to finish half the project. Although glimpses of the original layout still remain, the building itself is more characteristic of the classicism favoured by the Hapsburg monarchs, with alternating white stone and brick. The original design was continued by Phillip V in 1715 but not finished until 1752 under Ferdinand VI. The rectangular layout that Juan Bautista de Toledo had planned, and that took two centuries to complete, was only maintained for 20 years, since in 1775 Charles III added two wings onto the Palace.

Real Casa del Labrador

As the Prince of Asturias, Charles IV was a frequent visitor to the pier pavilions built by Ferdinand VI and grew up playing in the Prince’s Garden. When he became King, he decided to build a new country house at the far end of these gardens, known as the Casa del Labrador (the labourer's house) due to its modest exterior that was designed to heavily contrast the magnificent internal decor. It was built by chief architect Juan de Villanueva and his pupil Isidro González Velázquez, who designed some of the interior spaces. These rooms, developed in various stages until 1808, are the greatest example of the lavish interior decor favoured by this monarch in his palaces and country retreats. Highlights at this Site include the combination of different types of art and the luxurious textiles, in particular the silks from Lyon, as well as wealth of original works on the main floor, where Ferdinand VII added various paintings and landscapes by Brambilla.

King's Garden, the Island Garden, Parterre Garden and the Prince's Garden

Phillip II, a great lover of gardens, paid special attention to this feature of the Aranjuez Palace: during his reign, he maintained both the Island Garden, designed by the architect Juan Bautista de Toledo, and the King's Garden, immediately adjacent to the Palace and whose current layout was designed by Philip IV. The majority of the fountains on this island were commissioned by Phillip IV, while the Bourbons added other features such as the Charles III benches.

Phillip V made two French-style additions to the existing gardens: the Parterre Garden in front of the palace and the extension at the far end of the Island Garden, known as the Little Island, where he installed the Tritons Fountain that was later moved to the Campo del Moro park by Isabella II.

The Prince's Garden owes its name and creation to the son and heir of Charles III who, in the 1770s, began to use Ferdinand VI's old pier for his own enjoyment. He also created a landscaped garden in the Anglo-French style that was in fashion at the time and which was directly influenced by Marie Antoinette's gardens at the Petit Trianon. Both Juan de Villanueva and Pablo Boutelou collaborated in the design of this garden.