Stalinist architecture

Main building of Moscow State University

The Main building of Moscow State University, designed by Lev Rudnev, is the highest of seven Stalinist style skyscrapers of Moscow. It is utilized since its inauguration as headquarters of the Lomonosov Moscow State University. The skyscraper has 36 levels in its central part and is 240 metres tall. Its roof is topped by a 57-metre spire which ends with a 12-ton five-pointed star. Lateral towers are lower than the centr ...
Founded: 1953 | Location: Moscow, Russia

House of Soviets

The House of Soviets is the office building built in Stalinist style in the late 1930s. According to Soviet projects, the House of Soviets was planned to host the administration of Soviet Leningrad government. The location was chosen on undeveloped south outskirts of the city away from the downtown area which was prone to frequent floods. The construction was completed just before the Nazi invasion of Soviet Union at the ...
Founded: 1936 | Location: Saint Petersburg, Russia

Hotel Ukraina

The Radisson Royal Hotel is a five-star luxury hotel which still maintains its historic name of Hotel Ukraina. Hotel Ukraina was commissioned by Joseph Stalin. It was designed by Arkady Mordvinov and Vyacheslav Oltarzhevsky (leading Soviet expert on steel-framed highrise construction), and is the second tallest of the neoclassical Stalin-era 'seven sisters' (198 m, with 34 stories). It was the tallest hotel in t ...
Founded: 1957 | Location: Moscow, Russia

Palace of Culture and Science

The Palace of Culture and Science is the tallest building in Poland and the eighth tallest building in the European Union. It is 231 metres tall, which includes a 43-metre high spire. The building was originally known as the Joseph Stalin Palace of Culture and Science, but in the wake of destalinization the dedication to Stalin was revoked. The building was conceived as a 'gift from the Soviet people to the Polish n ...
Founded: 1952-1955 | Location: Warsaw, Poland

Latvian Academy of Sciences

The Academy of Sciences edifice was built after World War II, between 1951 and 1961, collecting the necessary financing from the newly established kolkhozes in Latvia and - as further expenses increased, collecting the finances as 'voluntary donations' deducted from the salaries of the Latvian rural population. The building is decorated with several hammers and sickles as well as Latvian folk ornaments and moti ...
Founded: 1951-1961 | Location: Riga, Latvia

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Monastery of São Vicente de Fora

Monastery of São Vicente de Fora (Monastery of St. Vincent Outside the Walls) is a 17th-century church and monastery in the city of Lisbon. It is one of the most important monasteries and mannerist buildings in the country. The monastery also contains the royal pantheon of the Braganza monarchs of Portugal.

The original Monastery of São Vicente de Fora was founded around 1147 by the first Portuguese King, Afonso Henriques, for the Augustinian Order. The Monastery, built in Romanesque style outside the city walls, was one of the most important monastic foundations in mediaeval Portugal. It is dedicated to Saint Vincent of Saragossa, patron saint of Lisbon, whose relics were brought from the Algarve to Lisbon in the 12th century.

The present buildings are the result of a reconstruction ordered by King Philip II of Spain, who had become King of Portugal (as Philip I) after a succession crisis in 1580. The church of the monastery was built between 1582 and 1629, while other monastery buildings were finished only in the 18th century. The author of the design of the church is thought to be the Italian Jesuit Filippo Terzi and/or the Spaniard Juan de Herrera. The plans were followed and modified by Leonardo Turriano, Baltazar Álvares, Pedro Nunes Tinoco and João Nunes Tinoco.

The church of the Monastery has a majestic, austere façade that follows the later Renaissance style known as Mannerism. The façade, attributed to Baltazar Álvares, has several niches with statues of saints and is flanked by two towers (a model that would become widespread in Portugal). The lower part of the façade has three arches that lead to the galilee (entrance hall). The floorplan of the church reveals a Latin cross building with a one-aisled nave with lateral chapels. The church is covered by barrel vaulting and has a huge dome over the crossing. The general design of the church interior follows that of the prototypic church of Il Gesù, in Rome.

The beautiful main altarpiece is a Baroque work of the 18th century by one of the best Portuguese sculptors, Joaquim Machado de Castro. The altarpiece has the shape of a baldachin and is decorated with a large number of statues. The church also boasts several fine altarpieces in the lateral chapels.

The Monastery buildings are reached through a magnificent baroque portal, located beside the church façade. Inside, the entrance is decorated with blue-white 18th century tiles that tell the history of the Monastery, including scenes of the Siege of Lisbon in 1147. The ceiling of the room has an illusionistic painting executed in 1710 by the Italian Vincenzo Baccarelli. The sacristy of the Monastery is exuberantly decorated with polychromed marble and painting. The cloisters are also notable for the 18th century tiles that recount fables of La Fontaine, among other themes.

In 1834, after the religious orders were dissolved in Portugal, the monastery was transformed into a palace for the archbishops of Lisbon. Some decades later, King Ferdinand II transformed the monks' old refectory into a pantheon for the kings of the House of Braganza. Their tombs were transferred from the main chapel to this room.