The Radisson Royal Hotel is a five-star luxury hotel which still maintains its historic name of Hotel Ukraina. Hotel Ukraina was commissioned by Joseph Stalin. It was designed by Arkady Mordvinov and Vyacheslav Oltarzhevsky (leading Soviet expert on steel-framed highrise construction), and is the second tallest of the neoclassical Stalin-era 'seven sisters' (198 m, with 34 stories). It was the tallest hotel in the world from the time of its construction until the Westin Peachtree Plaza Hotel opened in Atlanta, Georgia, United States in 1976. Construction on the low river bank meant that the builders had to dig well below the water level. This was enabled by an ingenious water retention system, using a perimeter of needle pumps driven deep into the ground.
The hotel opened on May 25, 1957. It closed in 2007 for a complete renovation and restoration. In 2009, the owners signed a contract with the Rezidor Hotel Group to manage the hotel as the Radisson Royal Hotel, Moscow. The hotel maintains its original name, however, for some purposes.
The hotel reopened on April 28, 2010 after its 3-year-renovation. The façade was restored in detail, while modern technology has been added, including multi-level water cleaning systems and air circulation systems.
There are also about 1,200 original paintings by the most prominent Russian artists of the first half of the 20th century, and on the first floor the diorama Moscow – Capital of the USSR in 1:75 scale shows the historical centre of Moscow and the city’s surroundings from Luzjniki to Zemlyanoi Val in the year 1977, when the artwork was created.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.