Top historic sites in Madrid
Plaza Mayor
The Plaza Mayor was built during Philip III"s reign (1598–1621) and is a central plaza in the city of Madrid. It is rectangular in shape, measuring 129 m × 94 m and is surrounded by three-story residential buildings having 237 balconies facing the Plaza. It has a total of nine entrance ways. The origins of the Plaza go back to 1577 when Philip II asked Juan de Herrera, a renowned Classical architect ...Royal Palace of Madrid
The Royal Palace of Madrid (Palacio Real de Madrid) is the official residence of the Spanish Royal Family at the city of Madrid, but it is only used for state ceremonies. Several rooms in the palace are regularly open to the public except during state functions. The palace is located on the site of a 9th-century Alcázar (Muslim-era fortress), near the town of Magerit, constructed as an outpost by Muhammad I of C ...Almudena Cathedral
When the capital of Spain was transferred from Toledo to Madrid in 1561, the seat of the Church in Spain remained in Toledo and the new capital had no cathedral. Plans to build a cathedral in Madrid dedicated to the Virgin of Almudena were discussed as early as the 16th century but even though Spain built more than 40 cities in the new world during that century and plenty of cathedrals, the cost of expanding and kee ...Oratorio del Caballero de Gracia
Oratorio del Caballero de Gracia is one of the best hidden architectural treasures in Madrid. This church looks small from the outside, but inside it unfolds into a neoclassical temple by Juan de Villanueva, which looks like a Roman basilica. Among its most noteworthy internal features are the single-piece granite columns, the vault and the sculptures of the Virgen del Socorro, signed by Francisco Elías in 1825, and of ...Thyssen-Bornemisza Museum
The Thyssen-Bornemisza Museum is an art museum in Madrid, located near the Prado Museum on one of city"s main boulevards. It is known as part of the 'Golden Triangle of Art', which also includes the Prado and the Reina Sofia national galleries. The Thyssen-Bornemisza fills the historical gaps in its counterparts" collections: in the Prado"s case this includes Italian primitives and works f ...Museo Reina Sofía
The Museo Nacional Centro de Arte Reina Sofía (MNCARS, also called the Museo Reina Sofía) is Spain"s national museum of 20th-century art. The museum was officially inaugurated in 1992, and is named for Queen Sofía. The museum is mainly dedicated to Spanish art. Highlights of the museum include excellent collections of Spain"s two greatest 20th-century masters, Pablo Picasso and Salvador Dalí. Cer ...Convent of Las Descalzas Reales
The Monasterio de las Descalzas Reales, literally the 'Monastery of the Royal Barefooted', resides in the former palace of Emperor Charles V and Empress Isabel of Portugal. Their daughter, Joanna of Austria, founded this convent of nuns of the Poor Clare order in 1559. Throughout the remainder of the 16th century and into the 17th century, the convent attracted young widowed or spinster noblewomen. Each w ...Temple of Debod
The Temple of Debod is an ancient Egyptian temple that was dismantled and rebuilt in Madrid. The shrine was originally erected 15 kilometres south of Aswan in Upper Egypt, very close to the first cataract of the Nile and to the great religious center in Philae dedicated to the goddess Isis. In the early 2nd century BC, Adikhalamani (Tabriqo), the Kushite king of Meroë, started its construction by buildin ...Puerta de Alcalá
The Puerta de Alcalá is a Neo-classical monument in the Plaza de la Independencia in Madrid. It is regarded as the first modern post-Roman triumphal archbuilt in Europe, older than the similar monuments Arc de Triomphe in Paris and Brandenburg Gate in Berlin. Puerta de Alcalá was a gate of the former city walls built by Philip IV. It stands near the city center and several meters away from the main entra ...Museo del Prado
Museo del Prado is the main Spanish national art museum, located in central Madrid. It is widely considered to have one of the world"s finest collections of European art, dating from the 12th century to the early 20th century, based on the former Spanish Royal Collection, and the single best collection of Spanish art. Founded as a museum of paintings and sculpture in 1819, it also contains important collection ...Sabatini Gardens
The Sabatini Gardens (Jardines de Sabatini) are part of the Royal Palace in Madrid, Spain, and were opened to the public by King Juan Carlos I in 1978. They honor the name of Francesco Sabatini (1722–1797), an Italian architect of the 18th century who designed, among other works at the palace, the royal stables of the palace, previously located at this site. In 1933, clearing of the stable buildings was b ...National Archaeological Museum of Spain
The National Archaeological Museum of Spain was founded in 1867 by a Royal Decree of Isabella II as a depository for numismatic, archaeological, ethnographical and decorative art collections of the Spanish monarchs. The museum was originally located in the Embajadores district of Madrid. In 1895, it moved to a building designed specifically to house it, a neoclassical design by architect Francisco Jareño, built ...Museum Cerralbo
The Museum Cerralbo houses the art and historical objects collections of Enrique de Aguilera y Gamboa, Marquis of Cerralbo, who died in 1922. The museum, which is housed in the former residence of its founder, opened in 1944. The building was built in the 19th century, according to Italian taste, and it was luxuriously decorated with baroque furniture, wall paintings and expensive chandeliers. It retains to a large e ...Basilica of San Francisco el Grande
The Royal Basilica of San Francisco el Grande is a Roman Catholic church in central Madrid. The main façade faces the Plaza of San Francisco, at the intersection of Bailén, the Gran Vía de san Francisco, and the Carrera de san Francisco. It forms part of the convent of Jesús y María of the Franciscan order. The convent was founded in the 13th century at the site of a chapel. The basilica was designed in a N ...Royal Chapel of St. Anthony of La Florida
The Royal Chapel of St. Anthony of La Florida is a Neoclassical chapel, best known for its ceiling and dome frescoes by Francisco Goya. It is also his former burial place. The chapel was built in the general location of two prior chapels built in the 1730s, which were on the land of a farm called La Florida. The present structure was built by Felipe Fontana from 1792 to 1798 on the orders of King Carlos IV, who ...Featured Historic Landmarks, Sites & Buildings
Historic Site of the week
Porta Nigra
The Porta Nigra (Latin for black gate) is the largest Roman city gate north of the Alps. It is designated as part of the Roman Monuments, Cathedral of St. Peter and Church of Our Lady in Trier UNESCO World Heritage Site. The name Porta Nigra originated in the Middle Ages due to the darkened colour of its stone; the original Roman name has not been preserved. Locals commonly refer to the Porta Nigra simply as Porta.
The Porta Nigra was built in grey sandstone between 186 and 200 AD. The original gate consisted of two four-storied towers, projecting as near semicircles on the outer side. A narrow courtyard separated the two gate openings on either side. For unknown reasons, however, the construction of the gate remained unfinished. For example, the stones at the northern (outer) side of the gate were never abraded, and the protruding stones would have made it impossible to install movable gates. Nonetheless, the gate was used for several centuries until the end of the Roman era in Trier.
In Roman times, the Porta Nigra was part of a system of four city gates, one of which stood at each side of the roughly rectangular Roman city. The Porta Nigra guarded the northern entry to the Roman city, while the Porta Alba (White Gate) was built in the east, the Porta Media (Middle Gate) in the south, and the Porta Inclyta (Famous Gate) in the west, next to the Roman bridge across the Moselle. The gates stood at the ends of the two main streets of the Roman Trier, one of which led north-south and the other east-west. Of these gates, only the Porta Nigra still exists today.
In the early Middle Ages the Roman city gates were no longer used for their original function and their stones were taken and reused for other buildings. Also iron and lead braces were broken out of the walls of the Porta Nigra for reuse. Traces of this destruction are still clearly visible on the north side of the gate.
After 1028, the Greek monk Simeon lived as a hermit in the ruins of the Porta Nigra. After his death (1035) and sanctification, the Simeonstift monastery was built next to the Porta Nigra to honor him. Saving it from further destruction, the Porta Nigra was transformed into a church: The inner court of the gate was roofed and intermediate ceilings were inserted. The two middle storeys of the former gate were converted into church naves: the upper storey being for the monks and the lower storey for the general public. The ground floor with the large gates was sealed, and a large outside staircase was constructed alongside the south side (the town side) of the gate, up to the lower storey of the church. A small staircase led further up to the upper storey. The church rooms were accessible through former windows of the western tower of the Porta Nigra that were enlarged to become entrance doors (still visible today). The top floor of the western tower was used as church tower, the eastern tower was leveled, and an apse added at its east side. An additional gate - the much smaller Simeon Gate - was built adjacent to the East side of the Porta Nigra and served as a city gate in medieval times.
In 1802 Napoleon Bonaparte dissolved the church in the Porta Nigra and the monastery beside it, along with the vast majority of Trier"s numerous churches and monasteries. On his visit to Trier in 1804, Napoleon ordered that the Porta Nigra be converted back to its Roman form. Only the apse was kept; but the eastern tower was not rebuilt to its original height. Local legend has it that Napoleon originally wanted to completely tear down the church, but locals convinced him that the church had actually been a Gaulish festival hall before being turned into a church. Another version of the story is that they told him about its Roman origins, persuading him to convert the gate back to its original form.
In 1986 the Porta Nigra was designated a World Heritage Site, along with other Roman monuments in Trier and its surroundings. The modern appearance of the Porta Nigra goes back almost unchanged to the reconstruction ordered by Napoleon. At the south side of the Porta Nigra, remains of Roman columns line the last 100 m of the street leading to the gate. Positioned where they had stood in Roman times, they give a slight impression of the aspect of the original Roman street that was lined with colonnades. The Porta Nigra, including the upper floors, is open to visitors.