The Royal Chapel of St. Anthony of La Florida is a Neoclassical chapel, best known for its ceiling and dome frescoes by Francisco Goya. It is also his former burial place.
The chapel was built in the general location of two prior chapels built in the 1730s, which were on the land of a farm called La Florida. The present structure was built by Felipe Fontana from 1792 to 1798 on the orders of King Carlos IV, who also commissioned the frescoes by Goya and his assistant Asensio Juliá.
In 1919 Goya's remains were transferred here from Bordeaux, where he had died in 1828. Famously, the skull was missing, a detail the Spanish consul had immediately advised to his superiors in Madrid, who wired back, 'Send Goya, with or without head.' In 1928 an identical chapel was built alongside the original, in order to allow the original to be converted into a museum, and the headless remains were moved again.
The frescoes by Goya were completed over a six-month period in 1798. The frescoes portray miracles by Saint Anthony of Padua. On the main cupola of the chapel Goya depicted Saint Anthony raising a man from the dead and exculpating his father, who had been falsely accused of his murder. Instead of portraying the scene as occurring in thirteenth-century Lisbon, Goya relocated the miracle to contemporary Madrid.
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Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.