UNESCO World Heritage Sites in Poland

All Saints Church

The most valuable monument in Blizne is wooden Church of All Saints from the middle of 15th century. Church was built in the Late Gothic style, of stromal construction, on a stone foundation. In 17th century was surrounded by defensive ramparts. The Church has a rich painted decoration: the remarkable Last Judgement scene is from this period. In the early 18th century there were changes to interior decorations and furnitu ...
Founded: 15th century | Location: Blizne, Poland

Church of the Blessed Virgin Mary and Archangel Michael

The Church of the Blessed Virgin Mary and Archangel Michael in Haczow has original Gothic polychrome decoration from the late 15th century, although the building has been dated to the previous century. At the beginning of the 17th century the church was enclosed by an earthen defensive rampart. Inside a valuable figural wall paintings dating from 1494 can be seen. It is believed that the Haczów church is the bigges ...
Founded: 1388 | Location: Haczów, Poland

Jawor Church of Peace

The Churches of Peace in Jawor and Świdnica, the largest timber-framed religious buildings in Europe, were built in the former Silesia in the mid-17th century, amid the religious strife that followed the Peace of Westphalia. Constrained by the physical and political conditions, the Churches of Peace bear testimony to the quest for religious freedom and are a rare expression of Lutheran ideology in an idiom generally asso ...
Founded: 1655 | Location: Jawor, Poland

Swidnica Church of Peace

The Churches of Peace in Jawor and Świdnica, the largest timber-framed religious buildings in Europe, were built in the former Silesia in the mid-17th century, amid the religious strife that followed the Peace of Westphalia. Constrained by the physical and political conditions, the Churches of Peace bear testimony to the quest for religious freedom and are a rare expression of Lutheran ideology in an idiom generally asso ...
Founded: 1656-1657 | Location: Świdnica, Poland

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Barnenez Cairn

The Cairn of Barnenez is the largest Megalithic mausoleum in Europe. It dates from the early Neolithic Age is considered one of the earliest megalithic monuments in Europe. It is also remarkable for the presence of megalithic art. Radiocarbon dates indicate that the first phase of the monument was erected between 4850 and 4250 BC, and the second phase between 4450 and 4000 BC. Pottery found in and around the monument indicates that it underwent a period of reuse in the Bronze Age, in the 3rd millennium BC.

The cairn was first mapped in 1807, in the context of the Napoleonic cadaster. Its first scientific recognition took place in the context of an academic congress in Morlaix in 1850, when it was classified as a tumulus. Privately owned until the 1950s, the cairn was used as a quarry for paving stones. This activity, which threatened to destroy the monument, was only halted after the discovery of several of its chambers in the 1950s. The local community then took control of the site. The cairn was restored between 1954 and 1968. At the same time, vegetation was removed from the mound and systematic excavation took place in and around the monument.

Today, the Barnenez cairn is 72 m long, up to 25 m wide and over 8 m high. It is built of 13,000 to 14,000 tons of stone. It contains 11 chambers entered by separate passages. The mound has steep facades and a stepped profile. Several internal walls either represent earlier facades or served the stability of the structure. The cairn consists of relatively small blocks of stone, with only the chambers being truly megalithic in character. The monument overlooks the Bay of Morlaix, probably a fertile coastal plain at the time of its erection.

Engraved symbols occur in several of the chambers and passages. They depict bows, axes, wave symbols or snakes and a repeated U-shaped sign. One of the carved slabs is in secondary use was originally part of a different structure, an interesting parallel to the situation in several other such monuments, including Gavrinis. The symbols on the engraved blocks resemble those found in other megalithic monuments in Brittany; in broader terms they belong to the cultural phenomenon described as megalithic art. One of the recurring symbols is sometimes interpreted as an anthropomorphic depiction (the so-called \'Dolmen Goddess\').

An exhibition in the modern entrance building explains the results of scientific excavation and displays some objects from the site.