St. Nicholas' Fortress was built on the left side at the entrance to St. Anthony Channel, on the island called Ljuljevac. The island is situated at the entrance to the Šibenik channel across the Jadrija beach lighthouse. St. Nicholas' Fortress got its name from the Benedictine Monastery of St. Nicholas, which was originally on the island, but due to the construction of the fortress, it had to be demolished. At the request of domestic Croat population of Šibenik, the Venetian captain Alojzije de Canal decided to build a fort on the island of Ljuljevac in 1525. The fortress was designed and built by the famous Venetian architect and builder Hyeronimus di San Michaela. It was built by in the 16th century to prevent Turkish boats from reaching the port. St. Nicholas' Fortress was armed with 32 cannons. However, its imposing appearance and size were a bigger threat to the enemy than cannons ever were.
The fortress is one of the most valuable and best preserved examples of defense architecture in Dalmatia. It is made of brick because that material was considered to be most resistant to cannonballs, while the foundations are made of stone. Although defense capabilities of the fortress have never been tested in military operations, the structure still proved successful in protecting the city from sea-bound enemy attacks. During the centuries of use, the structure served to various armies and has undergone a number of renovations, some of them necessary only because of the development of arms. It was completely abandoned by the military in 1979 and has been undergoing renovation ever since.
St. Nicholas' Fortress was included in UNESCO's World Heritage Site list as part of 'Venetian Works of Defence between 15th and 17th centuries' in 2017. After reconstruction work that lasted for two years, the fortress was open to visitors in July 2019.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.