The San Giovanni degli Eremiti church dates back to the 6th century. After the establishment of the Norman domination of southern Italy, it was returned to the Christians by Roger II of Sicily who, around 1136, entrusted it to the Benedictine monks of Saint William of Vercelli.
The church was extensively modified during the following centuries. A restoration held around 1880 attempted to restore its original medieval appearance.
The church is notable for its brilliant red domes, which show clearly the persistence of Arab influences in Sicily at the time of its reconstruction in the 12th century, the Arab-Norman culture. However, the red colour of the domes are not original, as they were restored in the present way at the end of the nineteenth century by an architect who found pieces of red plaster on the domes and therefore decided to paint all the domes in red.
The church lies with a flank on a square construction. The church is on the Latin Cross plan with a nave and two aisles and three apses. Each of the square spans is surmounted by a dome. The presbytery, ending with a niche, has also a dome.
The cloister, enriched by a luxurious garden, is the best preserved part of the ancient monastery. It has notable small double columns with capitals decorated by vegetable motifs, which support ogival arches. It also includes an Arab cistern.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.