The Cuba Palace in Palermo was built in 1180 by William II of Sicily in his great Royal Park, as his personal recreation pavilion, together with an artificial lake: it shows strong Fatimid art influences, as it was (at least partially) designed and decorated by Arab artists still living in Palermo after the Norman conquest in 1072. During the rule of Bourbon kings of Naples it was annexed to a barracks. In the 16th century it was turned into a lepers' colony.
The edifice has a rectangular plan, with massive forms. The four façades are marked by blind arcades, small windows, and niches. The name Cuba derives in fact from its approximately cubical form. The famous Italian Middle Ages author Boccaccio was impressed by the Cuba and set here one of the novellas included in the Decameron.
The Cubola or Little Cuba is another edifice built by William II for his park, in smaller dimensions. The most striking feature of the Cubola is the little hemi-spherical cupola.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.