The Church of Saint Dominic hosts the burials of many figures of Sicilian history and culture. For this reason it is known as the 'Pantheon of illustrious Sicilians'.
The origin of the building dates back to the Middle Ages. A first Dominican church was built on this site between 1280 and 1285. The church was in Norman–Gothic style and it was also fitted with a convent and a cloister that represented a small and simple reproduction of the more famous Benedectine cloister of Monreale. Inside this primitive church the son of James I of Cyprus, Odo, was buried in 1420 (or 1421).
At the beginning of the 15th century the medieval church became too small for the needs of a growing community of believers. For this reason the friars sought the financial aid of Pope Martin V and of the wealthiest families of Palermo. The new church was built in Renaissance style. However, through the natural course of time, also this building became too small for the liturgical needs of friars and believers. Therefore, in 1630, the Dominicans of Palermo commissioned architect Andrea Cirrincione to build a new church. Ten years after, on 2 February 1640, there was the groundbreaking ceremony. The work required many decades. The Baroque façade was completed in 1726, while the left bell tower dates from 1770.
During the Sicilian revolution of 1848, in this church the Sicilian Parliament was called under the leadership of Ruggero Settimo. In 1853 the church became the pantheon of illustrious Sicilians.
The convent, founded in 1300, is located north of the church and can be accessed from the latter's north aisle. The cloister, founded by the Chiaramonte family, has column and arches including manufacts from the early 13th century building.
The walls have paintings portraying Dominican saints, scenes of Apocalypse, of the Last Judgement and works by Nicola Spalletta from Caccamo. The interior houses a refectory and a large library.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.