Messina Cathedral dates back to the 12th century, but it was thoroughly restored between 1919-1920 due to the earthquake that had caused serious damage in 1908. During the Second World War when the Allied dropped bombs on the city, a fire destroyed part of the cathedral which was rebuilt in 1943.
The apsidal area has its original Norman structure and the three outstandingly decorated portals of the façade built following the late Gothic style may have been built, at least the central one, at the beginning of 15th century. A sculpture of Jesus among the Evangelists stands in the architrave where it is also possible to admire human beings, animals and plants beautifully sculpted.The tympanum dates back to the second half of 15th century. There is a nave and two aisles where files of 28 columns stand. Part of the decoration is original except the mosaics in the apse which are reconstructions.
This cathedral is where the remains of remarkable men rest such as Conrad IV king of Germany and Sicily (13th century) and many archbishops. The chapel of Sacrament, built in the late 16th century, houses scenographic decorations and mosaics dating back to 14th century. In 1933 the Ungerer company of Strasbourg incorporated the largest astronomical clock in the world in the bell tower.
Every day a t 12 there is a performance by mechanically animated statues telling the core facts of civil and religious history of Messina.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.