Kärnäkoski fortress was part of the South-Eastern Finland fortification system built by Russians in the 1790's. Purpose of the fortress was to protect the strategic road to St. Petersburg and Russians fleet in Saimaa against Swedish enemies from the west. Building was started in 1790 by French engineer officers and it's a tradional French bastion system. Approximately 1400 Russian soldiers and local peasants were forced to construction work and many of them died in hard work and illnesses.
Kärnäkoski protected the border only 15 years and after Finnish War in 1808-1809 fortress lost its defensive value. Kärnäkoski was disbanded in 1835 by the tsar Nicholas I. After that fortress was disarmed, buildings and remaining equipment were auctioned and the walls and fortifications were left untended. Kärnäkoski never took part to a military action, but in Finland Civil War (1918) several battles were fought nearby.
Today Kärnäkoski fortress is a tourist attraction, although there are no guided tours or other tourist or travel services in the fortress, simply guidance signs. Finnish National Board of Antiquities and Finnish Ministry of the Environment have listed the fortress area as nationally significant cultural historic landmark. NBA has restored Kärnäkoski fortress to its former shape together with other fortresses in south-eastern Finland. Walls were repaired and the fortress area was restored and cleared. Other historical buildings nearby are an old barge harbor, mill and saw built in 1830s and a double-arch stone bridge from 1886. The mill has not been used since 1950s, but was restored by a local village organization in 2002.
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.